Nothing there is interesting. In fact it's disappointing because they said the next Kelvin movie will be the last.
Some interesting news in the latest Variety article (which may relate to future Exo-6 figures):
-The Section 31 movie has Georgiou interacting with a young Rachel Garrett of the Enterprise C.
-The Starfleet Academy series (sigh) is confirmed to take place in the 32nd century
Sounds like they're trying to appeal to new viewers who may not be up to speed on all the 23rd-24th century Trek history.Hooray! It's nice to Garrett finally getting some attention and appreciation.
And blah.
Why are we sticking in the 32nd century for anything?
I'm thinking they just don't know how to attract new viewers...Sounds like they're trying to appeal to new viewers who may not be up to speed on all the 23rd-24th century Trek history.
Which is what I mean about attracting viewers. If they freaking have no intention of doing a Legacy series, they're frankly stupid.Sad there wasn't even a brief mention in there of a potential Legacy series, so guess that's not going to happen.
On the plus side no Legacy series means no more Raffi and that can be seen as a good thing.Which is what I mean about attracting viewers. If they freaking have no intention of doing a Legacy series, they're frankly stupid.
Sure, let's not do a show that people are literally clamoring for. One that features the only character from Voyager with mainstream visibility. One that features a charismatic actor who's the son of an iconic character. One that is a direct sequel to the most popular season of Trek put out in two decades.
No no, instead, let's do an Academy series no one was asking for. Let's make it a tie-in to a series we just canceled that's had mixed reviews at best. And let's put it in a time period that has zero connection to any other Star Trek series whatsoever.
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I liked Raffi a lot more in season 3 when they actually portrayed her as competent. Drugged out conspiracy theorist Raffi sucked.On the plus side no Legacy series means no more Raffi and that can be seen as a good thing.
To be fair, I'm sure they were already well into production on the Academy series by the time Picard S3 came along (since new Trek series take years to develop), and had no idea fans would be clamoring for a spinoff from it.Which is what I mean about attracting viewers. If they freaking have no intention of doing a Legacy series, they're frankly stupid.
Sure, let's not do a show that people are literally clamoring for. One that features the only character from Voyager with mainstream visibility. One that features a charismatic actor who's the son of an iconic character. One that is a direct sequel to the most popular season of Trek put out in two decades.
No no, instead, let's do an Academy series no one was asking for. Let's make it a tie-in to a series we just canceled that's had mixed reviews at best. And let's put it in a time period that has zero connection to any other Star Trek series whatsoever.
View attachment 695011
There was this.Sad there wasn't even a brief mention in there of a potential Legacy series, so guess that's not going to happen.
Yeah my assumption was that it would be another TNG reunion thing. Which we really don't need either.There was this.
Kurtzman also noted that his team at Secret Hideout is considering other possible streaming movie concepts, including a possible Star Trek: Picard follow-up
Correct me if I'm wrong but the Legacy title isn't something Paramount/CBS said was going to be what the hypothetical Captain Seven show would be called. So the Picard follow up could be that, or it could be the thing Stewert has been saying he wanted to do.
By the 32nd Century, mankind should be incredibly advanced & "grown out of their infancy", as Jean-Luc Picard would say!I'm thinking they just don't know how to attract new viewers...
Some interesting news in the latest Variety article (which may relate to future Exo-6 figures):
-The Section 31 movie has Georgiou interacting with a young Rachel Garrett of the Enterprise C.
-The Starfleet Academy series (sigh) is confirmed to take place in the 32nd century
I’m not overly optimistic that the proper appreciation would be conveyed.Hooray! It's nice to Garrett finally getting some attention and appreciation.
If this is the best they can come up with than it’s time to put Star Trek back on ice for the foreseeable future.
Aside from Picard S3 (which I acknowledge relied heavily on nostalgia), none of these “creative talents” have delivered the same complexity and quality that the legacy shows excelled at. This is why they are still relevant and timeless, the episodes usually conveyed something meaningful to the viewer.
I find the newer iterations consist of dumbed down exchanges with these newer characters, it’s reminiscent of high-school dialogue in many cases with stories that lack depth. To appeal to “new audiences” you have to make Trek sound and feel like every other show on TV?
Star Trek was always geared to be a cerebral show based around professionals who excelled at what they did based on merit and skill, dealing with complex and thought provoking situations that drew you in based on what humanity could become. That’s what I miss.
It doesn’t bother me that others are into these newer shows, I would like just one show that is more in-line with the traditional format that spanned across five series.
Hollywood is creativity bankrupt and these “writers” seem more like activists pushing whatever the latest fad is. I don’t need present day dystopian issues in my entertainment. Put people in charge who are actually knowledgeable of the lore, vision and are passionate about the franchise and can deliver GOOD stories with MEANING.
SNW isn’t bad, it’s a big improvement over DIS but it doesn’t have the same magic as the other shows. They don’t need to try and reinvent the wheel, use the formula that worked from 1966 - 2005.
I’m not overly optimistic that the proper appreciation would be conveyed.
I found Seven to be unrecognizable in Picard S1. How does a character that was “re-born” on Voyager and mentored by Janeway and the rest of the crew to exemplify the best of humanity turn into a
murdering alcoholic? Did these writers even watch Voyager? That’s surely not the example that was set for her and even if she was facing some sort of personnel struggle are we to believe that the crew would simply abandon her? And they throw a relationship with Raffi at us in the 11th hour, such laziness.
Picard was turned into a shell of his former self (it was painful to watch), it’s like that’s the popular thing to do in modern interpretations of legacy characters, tear them down as was the case with Luke Skywalker as well.
You’re right buddy, I should give it more credit. I think I got crusty as I got to the tail end of my post.He's quite insightful is this 'ere fella! (* well - except for the SNW bit . . . because I adore that (except for 2 dodgy & 2 AWFUL episodes) *)
.
Which is what I mean about attracting viewers. If they freaking have no intention of doing a Legacy series, they're frankly stupid.
Sure, let's not do a show that people are literally clamoring for. One that features the only character from Voyager with mainstream visibility. One that features a charismatic actor who's the son of an iconic character. One that is a direct sequel to the most popular season of Trek put out in two decades.
No no, instead, let's do an Academy series no one was asking for. Let's make it a tie-in to a series we just canceled that's had mixed reviews at best. And let's put it in a time period that has zero connection to any other Star Trek series whatsoever.
View attachment 695011
I would like to see something based in the 24th century that covers the events post DS9, there is a ton to explore there after the war.
A series based in the Lost Era (between The Undiscovered Country and TNG) was always appealing as well but both would require someone at the helm that understands the universe to do it justice.
You summed up all the problems with Kurtzman-trek very nicely. I share your views on Seven. She's not the same character anymore and not in a good, has-grown-and-learned-from-her-time-on-Voyager sort of way.If this is the best they can come up with than it’s time to put Star Trek back on ice for the foreseeable future.
Aside from Picard S3 (which I acknowledge relied heavily on nostalgia), none of these “creative talents” have delivered the same complexity and quality that the legacy shows excelled at. This is why they are still relevant and timeless, the episodes usually conveyed something meaningful to the viewer.
I find the newer iterations consist of dumbed down exchanges with these newer characters, it’s reminiscent of high-school dialogue in many cases with stories that lack depth. To appeal to “new audiences” you have to make Trek sound and feel like every other show on TV?
Star Trek was always geared to be a cerebral show based around professionals who excelled at what they did based on merit and skill, dealing with complex and thought provoking situations that drew you in based on what humanity could become. That’s what I miss.
It doesn’t bother me that others are into these newer shows, I would like just one show that is more in-line with the traditional format that spanned across five series.
Hollywood is creativity bankrupt and these “writers” seem more like activists pushing whatever the latest fad is. I don’t need present day dystopian issues in my entertainment. Put people in charge who are actually knowledgeable of the lore, vision and are passionate about the franchise and can deliver GOOD stories with MEANING.
SNW isn’t bad, it’s a big improvement over DIS but it doesn’t have the same magic as the other shows. They don’t need to try and reinvent the wheel, use the formula that worked from 1966 - 2005.
I’m not overly optimistic that the proper appreciation would be conveyed.
I found Seven to be unrecognizable in Picard S1. How does a character that was “re-born” on Voyager and mentored by Janeway and the rest of the crew to exemplify the best of humanity turn into a
murdering alcoholic? Did these writers even watch Voyager? That’s surely not the example that was set for her and even if she was facing some sort of personnel struggle are we to believe that the crew would simply abandon her? And they throw a relationship with Raffi at us in the 11th hour, such laziness.
Picard was turned into a shell of his former self (it was painful to watch), it’s like that’s the popular thing to do in modern interpretations of legacy characters, tear them down as was the case with Luke Skywalker as well.
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