Is Kroenen in it? Like they said he would be? You know, after credits sequence or something...
They did promise...
Loki...lol...pretty cool, ha? Which scene was the best part for you?
Gruff...I saw it at the Gaslamp here in SD
I have to say I thought this was a letdown with many of the problems common to sequels.
But I'm actually concerned now about Del Toro doing "The Hobbit"
I loved the intro with its Hurt cameo and the new portrayal of Kid Hellboy. But the fable Professor Broom reads to Hellboy, besides offering Del Toro a chance to do something akin to puppet theatre, serves mainly to explain in advance everything we are going to see, which is not the most thrilling way for a story to unfold.
The first big set piece with the Tooth Fairies is terrific, but when it's over the film plummets into repetition and recycling. There's a brief lift when Del Toro takes us to the imaginative Troll's Market, but after that it starts losing momentum again and wanders to its conclusion.
The super-secret BRPD headquarters, which formerly appeared to be a mysterious archive where everything is kept under lock and key, now has the same intergalactic traffic we saw in the "Men In Black" films; a cameo from Will Smith and Tommy Lee Jones would have fit right in.
Jeffrey Tambor, so funny in the first film, here is cut off at both knees: first, his character gets his wish to no longer be responsible for Hellboy, and from the introduction of HB's new supervisor Tambor hasn't anything to do except tag along.
Manning's replacement antagonist, Johann Krauss, introduces a new element to the film that it can't afford to depend upon: radio drama. With his one-trick "face," Johann might have made for a funny encounter in those now-crowded halls at BPRD, but as a driver of the action, we were better off with Tambor. Johann is a bit of an empty suit (pun intended), who seems to be there to allow for a cameo voiceover from "Family Guy" creator Seth McFarlane.
And for all the intention of improving Abe's role with a romantic engagement central to the story, Jones, like Tambor, finally has less to do here than in the first film.
Hellboy's battle with the forest spirit is an uncomfortably obvious recycling of the first film's final battle against another giant whirling monster with whipping tentacles.
Perlman, who can probably make bricks out of straw, is still charming and funny, and lacking anything approaching his rooftop surveillance scene in the first film, he makes this film's best moments out of very minor material.
But I don't think this movie is as satisfying or as funny as the first one, and coming in this particular summer, it will be compared, like every other action picture, to the summer's biggest and best release. And having seen both pictures, I feel safe saying that no one will suggest this is remotely in a league with "The Dark Knight."
If I had to choose one, it'd be when Hellboy gets into with Krauss. Just ^^^^ing hilarious
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