Lori Petty came into the comic book store I worked at before the movie came out, she was looking for reference material for the role and our back issues guy hooked her all up with the comics we had in stock.![]()
That's awesome.
Lori Petty came into the comic book store I worked at before the movie came out, she was looking for reference material for the role and our back issues guy hooked her all up with the comics we had in stock.![]()
That's awesome.
I saw Tank Girl when it first came out, and thought it was terrible. I saw it again in the early 2000s, and still thought it was terrible. Probably won't watch again. I liked Mystery Men a lot more, though that movie isn't great.
Roger Ebert said:Whatever the faults of "Tank Girl," lack of ambition is not one of them.
Here is a movie that dives into the bag of filmmaking tricks and chooses all of them. Trying to re-create the multimedia effect of the comic books it's based on, the film employs live action, animation, montages of still graphics, animatronic makeup, prosthetics, song-and-dance routines, models, fake backdrops, holography, title cards, matte drawings and computerized special effects. All I really missed were 3-D and Smell-O-Vision.
Enormous energy went into this movie. I could not, however, care about it for much more than a moment at a time, and after a while its manic energy wore me down. Director Sidney Lumet has a new book out about how to make movies. In it he observes that slowly-paced scenes can actually make a movie seem to go faster than a relentless pacing that never stops. Uh-huh.
Yes, we'll do a double feature of this and modern masterpiece "Master of Disguise."You need to watch it again. In fact, I recommend ordering the blu-ray from amazon, inviting all your friends over, and telling them that they're about to watch the greatest film you've ever seen. Then put it in and witness their awe at your incredible taste in movies.
Yes, we'll do a double feature of this and modern masterpiece "Master of Disguise."
Roger Ebert said:Whatever the faults of "Tank Girl," lack of ambition is not one of them.
Here is a movie that dives into the bag of filmmaking tricks and chooses all of them. Trying to re-create the multimedia effect of the comic books it's based on, the film employs live action, animation, montages of still graphics, animatronic makeup, prosthetics, song-and-dance routines, models, fake backdrops, holography, title cards, matte drawings and computerized special effects. All I really missed were 3-D and Smell-O-Vision.
Enormous energy went into this movie. I could not, however, care about it for much more than a moment at a time, and after a while its manic energy wore me down. Director Sidney Lumet has a new book out about how to make movies. In it he observes that slowly-paced scenes can actually make a movie seem to go faster than a relentless pacing that never stops. Uh-huh.
Hell yeah!Yes, we'll do a double feature of this and modern masterpiece "Master of Disguise."
Chappie - 7/10
Say what you will about it, but I really enjoyed the weird quirkiness of the movie. It was a cross between Short Circuit, IRobot and Robocop in my opinion.
I thought it was good.
It certainly was. I'd love to see a Blomkamp Appleseed movie.
The point wasn't that it should be helmed by an accomplished dramatic director, but that a style of pacing can have certain effects on viewers. Opening to Once Upon a Time in the West is extremely slow paced and methodical. But it goes by in no time. That movie with Jason Statham being hopped up on adrenalin often felt like it was never going to end. Of course, there were other reasons for that, but pacing played into it.Why would anyone expect (or even want) a Sidney Lumet approach to a film called "Tank Girl."![]()
Keira Knightley in her prime.![]()