Actually, Lord of the Rings is the only fantasy story that I really love BECAUSE of those moments. Tolkein uses symbolism and archetypes in a way that no author has since been able to replicate, merging both faerie stories and epic quest stories--he's simply the master of form, language, and context. That's my only real gripe with the films--it lacks the depth of time and movement of the books. In a film, yeah it would be too much, but the novel depends on those long endings and the forest scenes in order to draw the contrasts between the action. It compares the growing quality of natural time to the quick pacing of man-made events, and draws a web of parallels between them which causes the novel to feel complete and whole. Without them, there's no sense of history, and it merely becomes story. Adding the slow movement of nature gives a foundation of reality to events that would otherwise be too fantastic to accept. Drawing out the journey in long stages prevents the reader from feeling rushed, and assures us that this quest is truly taking time--real time in a believable world, not the pretend time of some playland. J. R. R. Tolkein was a literary genius in that sense, amongst others. I love those parts of the story!