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So, I found this movie by mistake eight years ago while I went out to see Nick Refn's Bronson - which was only playing one weekend here at the Beach, and as I walked into the theater this ominous trailer was coming to an end. All I caught were the last few sinister frames and the title card and credits. I left the theater happy with Bronson but truthfully I was more intrigued by the ten seconds of that trailer to Beyond The Black Rainbow I caught. For months I'd check the local paper day after day in hopes that the film would screen here but nothing. Finally a theater on the other side of town was screening it. I took the drive and all I can say is that it was a life-changing cinematic experience.
What Panos Cosmatos did with this movie is successfully harness the raw power that is 80s romanticism. He ultimately took a vibe that all of us children of the 80s had been yearning for over decades and materialized it via this relentless cinematic homage to those video store fantasies born via VHS covers in the HORROR aisle at the local video store.
Cosmatos did the hardest thing one can achieve in film: he created a vibe. He took that nightmarish yet intoxicating aroma of low budget 80s horror and ****ing translated it like a supernatural linguist.
Beyond The Black Rainbow is a movie I'd played over and over in my head over years of grieving the death of the video store. Its a movie I think lives within all of us lovers of the genre and particularly that time in the genre. We grew up watching Tales From The Darkside and Friday The 13th The Series before bed and begging our folks to let us watch Videodrome in the living room instead of exiling us to the kids room where the NES was overheated and overrated.
Beyond The Black Rainbow is a love letter to the children of the 80s and it gave birth to the "romanticized 80s" genre that continues to grow over time:
-Drive (2011) by Nicolas Winding Refn
-The Guest (2014) by Adam Wingard
-Lost River (2014) by Ryan Gosling
-It Follows (2015) by David Robert Mitchell
-Stranger Things (2016) by The Duffer Bros.
If you loved the legendary decade that was the 80s and miss that HORROR aisle, this is the movie for you.
What Panos Cosmatos did with this movie is successfully harness the raw power that is 80s romanticism. He ultimately took a vibe that all of us children of the 80s had been yearning for over decades and materialized it via this relentless cinematic homage to those video store fantasies born via VHS covers in the HORROR aisle at the local video store.
Cosmatos did the hardest thing one can achieve in film: he created a vibe. He took that nightmarish yet intoxicating aroma of low budget 80s horror and ****ing translated it like a supernatural linguist.
Beyond The Black Rainbow is a movie I'd played over and over in my head over years of grieving the death of the video store. Its a movie I think lives within all of us lovers of the genre and particularly that time in the genre. We grew up watching Tales From The Darkside and Friday The 13th The Series before bed and begging our folks to let us watch Videodrome in the living room instead of exiling us to the kids room where the NES was overheated and overrated.
Beyond The Black Rainbow is a love letter to the children of the 80s and it gave birth to the "romanticized 80s" genre that continues to grow over time:
-Drive (2011) by Nicolas Winding Refn
-The Guest (2014) by Adam Wingard
-Lost River (2014) by Ryan Gosling
-It Follows (2015) by David Robert Mitchell
-Stranger Things (2016) by The Duffer Bros.
If you loved the legendary decade that was the 80s and miss that HORROR aisle, this is the movie for you.