I have no problem with conceptualized models, but I only own one, and it's not a Godzilla. It's a Prehistoric Ghidorah from Mothra III. I got it only because it is completely different from the actual suit used but still an amazing dragon figure and I love dragons. To me, it's not Prehistoric Ghidorah. I've been collecting Godzilla for about 25 years and maybe I just have way too many. They range from the most crude gumball machine toys to top of the line kits. X-Plus Garage Toys are supposed to be factory assembled Garage Kits (models). Their first few releases were Monster Maker 28 kits by Niwa. That's why I got hooked. I arleady had the resin models, and thus resisted at first, but these were unique in the "toy" industry and I thought it was worth pursuing. Once they kicked into high gear, with two or three releases a month, they needed more sculpts faster. The quality of these sculpts went down. Didn't stop me from buying them, just wasn't really satisfied with them. They were, of course, highly sought after because they were very limited and only available in Japan. They were a good investment even if not top shelf. I'm not saying they're bottom shelf by any means, but I do tend to hide the less desireables in the rear. My Sakai 89 is out front and I don't have to tell you where the X-Plus is.
I don't care if people like the X-Plus 89. I'm totally fine with that, but X-Plus dropped the ball with it. I may find out they dropped the ball with the Sakai as well once I get it in hand, but that's not Sakai's fault. If X-Plus wasn't about accuracy, they wouldn't be going after Sakai's sculpts in the first place, just like they wouldn't have gone after Niwa's sculpts in the very beginning.......Gorosaurus, Anguirus, Godzilla 68. Niwa is top shelf. Asai from Kaiju Freaks is top shelf. Sakai is top shelf. I think X-Plus wants to be top shelf. As a modeler, collecting a line of factory built up model kits, and that is what these are, I want them to be as accurate as possible. I'll leave good tries to Neca.
I have to agree. As a long time godzilla collector myself and having seen the evolution of my fellow G collectors, the stages usually start with wanting the basic Japanese bandais to coolest versions with yes arguably some of the greatest " shelf presence" whether resin kits or now xplus vinyl figures,
To statues for some, or to vintage style sofubis ( where G originated ),
And in some cases sold all their other G figures to collect vintage exclusively.
I like a mix of stylized, accurate, and art vinylu myself.
It's like collecting Star Wars. Some pieces are a mixed bag. Some have nice details but crappy poses, or accurate but not precise, or sometimes just way off base,
The xplus 89 to me is a great figure, but if it didn't have a label I'd think it was an attempt at a 91 or even 92 figure, or even generic heisei ....pre 1994... Yes it is ferocious and I love that, but not definitive.....as I got older, I liked sakai aesthetic choices more and more.....no it's not a dancing godzilla to me....it's exactly how it looked walking over that hill ,
(The burning 95-- I was on the fence about, but the main reason I didn't get it was the head....the eyebrows are weak on it and I couldn't abide it though the rest is awesome. The glare the mouth...the details are stunning, but I feel he's missing ears n the anger of the classic browbone.)
Point is, I like many g figures for different reasons, some for faithfulness, others for the ability to get the essence like the hazawagumis, the originality and creativity in marmits while still being representative of that version of g....and xplus is great for being pretty good without being "zipper backed" screen accurate, like sega or sakai.