I try to be civil with everybody, and, though I do agree with some here that you are a bit misinformed, I'm not going to pull out the torches and pitchforks, and I do respect your opinion, for what it's worth. I'll primarily try to address the last ten minutes of your video, with your thoughts on custom collectors, and "the Carlito's test." First and foremost, I can see how someone who primarily collects Hot Toys might think that custom collectors view this stuff the same way a watch collector might value a Rolex over a Casio, but I don't think that's the case. I can't speak for everyone, but I buy what I like, and I've got a very select taste, in regards to what I like. DC Superheroes and Classic movies. It may seem like I can't prioritize, but I own the version 1 Cowboy/Blondie, and I'm not the uppity one percenter that custom collectors tend to be, for lack of a better word, demonized as.
Going back to what I said before, I buy what I like, and Blondie is a character that I love. You could argue that "Hot Toys are cheaper," but the odds of HT getting the license for The Good, The Bad, and The Ugly are slim to none. As much as I like Batman, I don't buy everything, so, I roll things together. For example, when I bought Blondie, I sold my Keaton Batman and Nicholson Joker. I adore those characters, as well, but I was weighing my options, and, as I'm sure you know, if you look at the secondary market, I can get an 89 Batman and Joker set for far less than Blondie's current going rate.
The point is that it shouldn't be considered "elitist," to buy what you like. People might say that customizers cater to a different market than mass market companies, but they really don't. I just look at it this way, I don't need two characters I kind of like over a character that I love, and if you view things differently, that's great, but, spending time in the customs section, I've met people just as awesome, and who I really like, as a lot of the primarily Hot Toys collectors that I encounter in the DC section, so, with no I'll intent meant, I'd say that statement is a product of ignorance. I don't mean that in a disrespectful way, I simply mean that, if you familiarize yourself with the people, you'll come to find that they're not that different from people you'd encounter on OSR, and, in some cases, they're the same people.
In regards to the Carlito test, you single-handedly answered your own question with a single word in the first sentence: "licensed." Blitzway may have only two figures for "the company's" 15, but both of those figures are licensed from Universal. That may not seem like much, but it does mean a lot. For one thing, mass production. As Rdeezy pointed out, Blitzway is able to mass produce their figures. The more figures you make, the more you can spread out the cost. The company behind Blondie doesn't have that luxury, because, if these things were mass produced, without the license, the copyright lawyers would be on their ass faster than a rat on cheese. Right now, you're probably thinking "why don't they just get the license," but Clint Eastwood is a notorious holdout, when it comes to his likeness, and you can't have The Good, The Bad, and The Ugly without Clint Eastwood. Moral of the story: without a license, you can't outsource your product to factories for mass production. Without mass production, prices are going to be higher.
You said that it's not one guy making this, and you're right, Denny does have a small team, but that team does not equate to an entire factory. All of these items are handcrafted by the same people working on the prototype, and that costs money. The teams wages, the cost of materials, etc., are all factored into the item that you're receiving, and that's part of the reason for the boxes and the bodies. Did you ever notice how a Rainman figure or a Serang figure cost $1000-2000, while these cost $400-600? A lot of that has to do with wholesale. The boxes are the way that they are because the company buys them in bulk. They provide proper protection, and a simple, yet, at least, presentable aesthetic (as much as you may hate it, it beats the hell out of a cardboard box full of packing peanuts and you know it
), and the same could be said for the bodies. Wholesale means savings; savings for the company are then passed on to the customers.
Truetypes are the cream of the crop, there's no doubt about that, but let me ask you this: do you think it would be reasonable for a company that specializes in unlicensed figures to purchase the bodies for said unlicensed figures in bulk from a company with a close relationship to many of the licensors? MGM owns Robocop and The Good, The Bad, and The Ugly. Hot Toys has a relationship with MGM, as evidenced by their three Robocop releases this year. Do you think it's mutually beneficial for a company to risk losing their relationship with a licensor, and, by extension, every product they're able to make with said licensor's licenses, to provide bodies wholesale to a company that is, technically, committing copyright infringement against those licensors, and, at the same time, would it be beneficial for that company to run the risk of any legal ramifications that might come to pass, in the event that the company they bought their bodies wholesale from decided to bring their products to the attention of the licensors and studios that own those properties?
It wouldn't make sense, and then no one would get the figures they wanted. Anyway, I hope this helps, and, for the most part, I thought that was a really great and in-depth review.