That one framed in the vintage Kenner cardback is wicked cool, very clever idea.
Those were the design for the Fan Days 2 cards. I really liked those too:That one framed in the vintage Kenner cardback is wicked cool, very clever idea.
Fett Fan DaysII and III cards:
Thanks. It's always nice to hear the someone likes your work. Trying to live up to the compliments is challenging.Do you ever tire of compliments? You have such an amazing yet different style!
When did you make this your niche? Obviously you didn't always go for this style.
Those were the design for the Fan Days 2 cards. I really liked those too:
That is an excellent question. With this style there is always the danger of overworking the piece and I feel I do just that 95% of the time. I'm usually never satisfied. There are a couple of portraits (like the Han Solo) were the balance between detail and representation are were they should be. It's continually hard to know when to quit and sometimes it's based off of experience and what I've done before. The best results are usually accomplished when I'm experimenting or can just let go and enter that artist's 'zen' mode (which is hard to obtain immediately following a monster cup of coffee). Also, letting the underdrawing's details (or lack of) serves as an excellent guide as to how I'll apply the paint.You have such a unique style I'm curious as to how you know when a piece is complete? For example in the pics above. What is your thought when you decide not to color all of Han's hair? With the use of so much color, what's the balance of being satisfied vs. feeling as though you overworked it?
That is an excellent question. With this style there is always the danger of overworking the piece and I feel I do just that 95% of the time. I'm usually never satisfied. There are a couple of portraits (like the Han Solo) were the balance between detail and representation are were they should be. It's continually hard to know when to quit and sometimes it's based off of experience and what I've done before. The best results are usually accomplished when I'm experimenting or can just let go and enter that artist's 'zen' mode (which is hard to obtain immediately following a monster cup of coffee). Also, letting the underdrawing's details (or lack of) serves as an excellent guide as to how I'll apply the paint.
Thanks for the kind words.
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