Now I need EVERYONES Feedback!!!

[user 1190]

I'd be interested to find out more about the people in shipping

 

[BeachBum]

I'd like to see a story on HOW a new piece gets picked. A day or 2 ago I saw a thread where somebody said how it was a no brainer to do a Craig as Bond figure. I kinda agree, why wasn't there a Craig Bond when Casino Royale came out?

There must be other lines with 'no brainer' figures that aren't being done, while some 'huh?' figures ARE done.

How does piece A get chosen over B? Tell the story of one of the sessions where new work gets added to the pipeline. On what basis are decisions made?

That sort of stuff.

 

[user 1190]

I'd like to see a story on HOW a new piece gets picked. A day or 2 ago I saw a thread where somebody said how it was a no brainer to do a Craig as Bond figure. I kinda agree, why wasn't there a Craig Bond when Casino Royale came out?

There must be other lines with 'no brainer' figures that aren't being done, while some 'huh?' figures ARE done.

How does piece A get chosen over B? Tell the story of one of the sessions where new work gets added to the pipeline. On what basis are decisions made?

That sort of stuff.

That has been explained more then once at panels.

Originally when a line starts they give a the licensing company a rooster that will be followed. If something comes up they go back to them and say we want to put this in here on the list.

 

[Wetanut]

I would like to see an article covering the actual production of a piece from beginning to end! The molding, painting, costume, base, boxing, etc. Preferably, a statue or premium format to get the full effect, and if the 12 inch line is drastically different, then one covering that as well.

And don't forget to include/explain the approval process throughout the creative process. Methinks that sometimes the changes on a sculpt/from pre-production to final isn't SS's decision and folks need to keep that in mind whenever they want to slap up a "Sideshow, you've screwed up/us" post.