I've never understood the obsession with Spidey 1 and 2. I didn't bother with 3. They missed the boat on so many levels with this franchise.
Raimi was pressurised ( by Avi Arad , if you ask me ) to include the character of Venom in Spider-Man 3 . I know Spider-Fans from the 80's and 90's worship this character , but Raimi's reference point for his version of Spider-Man is the 60's and 70's and like it or not , Venom DOES NOT fit into the "world" Raimi so perfectly crafted in the first two movies .
It's not a matter of "obsesion", just that the first 2 Spider-Man movies , despite their faults , were pretty much a perfect example of great comic book movies , plain and simple . Sam Raimi's love for the character and feel of the (early) comics shone through . Maybe it's a generational thing , I ( like Sam Raimi ) grew up with the Spider-Man of the 70's and this is reflected in the first 2 movies . I stopped reading comics in the early 90's , but started again relatively recently with the "Ultimate" titles ( continuity got to be a pain
by then) so the Venom/Carnage years don't really appeal to me , it's not that I dismiss them , it's just not MY Spider-Man! Likewise , people who read the books in the late 80's/early 90's probably DON'T see the appeal of the early stories . This is the problem of a series which has lasted so long! This is also why the first 2 movies were so successful . They appealed to non-fans and lapsed ( i.e OLD ) Spider-fans more than the fans who are currently reading the books .
I have full confidence that Raimi can elevate this franchise again, as long as he's able to do things his way.....just like he did with 1 and 2.
Problem is despite being the stinker of the trilogy SM3 made a boat load of cash....I have a feeling that Sony will be pushing more "fans want to see so and so" crap the franchise's way because they view SM3 as a success. Despite being mediocre people kept going to see it. I'm guessing that's one of the reasons why Raimi wants someone else to write it because then he doesn't have to deal with the input from the studio.
Don't get me started with FF, there is a possibly amazing franchise that was absolutely gutted by the studios and the fact that we're probably going to get an even worse FF3 really hurts. The Fantastic Four films could have been phenomenial there is so much history and really deep ground to cover with a lot of character development that was severely overlooked, not to mention both Reed and Sue are miscast IMHO.
Raimi's strengths have never been writing. He's always only done story or had a writing partner. Most great directors are more visualists that know how to hire great writers, rather than great writers themselves. Spielberg, Scorsese are 2 that come to mind.
After my disappointment with the last two, I'd prefer someone else do the writing too. Someone who realizes that not every villain needs to be sympathetic. He ruined Doc Ock with that touchy feely crap.
Huh? I don't know about you but I didn't feel any sympathy for the Green Goblin, Eddie Brock, or Harry and while the Sandman may have been intended as a sympathetic villain, there wasn't enough character development to feel sympathetic towards him.Looking at my scorecard I don't see how you could come up with that conclusion.
As for Doc Ock I thought he was a great character in a great movie. I for one don't want every villain to simply be evil. More times than not, those types of characters are two dimensional and uninteresting, and that becomes boring real fast. I'll take multi-layered, complex, and yes, sometimes sympathetic villiains the majority of the time.
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