Everyone’s entitled to an opinion. So here’s mine:
SUPERGIRL is a charming TV series that seems to specialize in compelling, heartfelt scenarios. One week Kara is facing a love-hate relationship with a relative gone bad, the next she’s watching a victimized “evil” doppelganger with inherent decency expire before her eyes. Pass the hankies, please!
That's the reason 97% of professional critics have given this show an enthusiastic thumbs up, and why it’s earned such a loyal following. Actress Melissa Benoist manages to make what could have been a bland do-gooder into a real and relatable person, hitting more emotional highs and lows in a mere dozen or so episodes than DC Comics has in over 50 years of storytelling. It’s relatively easy for an actress to play tainted, cynical badass heroines because they are superficially cool and push obvious buttons; making a “nice girl” interesting is a lot more challenging and refreshingly different.
Even the choice of Supergirl’s costume design is intelligent, as it embraces the traditional skirt and Mike Sekowsky era-inspired knee boots, rather than going for a bare midriff look, which often plays as needlessly sexist and exploitive.
Berlanti’s SG is way smarter than that, exploring the importance of family, friends and the nature of heroism itself via believable conflicts and remarkable, consistent sensitivity. Never rising above “meh” in the creative medium she was created for, Supergirl soars in this new television incarnation, finally coming into her own as a genuine flesh-and-blood character with feelings so palpable they practically spill out of the screen.