I did prefer the 24fps just because I was able to focus on the story 100% of the time rather than "noticing" the look of the HFR but I was glad to experience the HFR nonetheless. Nothing to cry about. I'll do the same with DoS. 24 fps for the first viewing, HFR for the second.
I still enjoyed the movie fine. But the visuals are crap, and Peter Jackson shouldn't be playing with new toys while making a film. Play with them before the film, and then if people like your dumb toys, use them.
It's not about me not seeing it. It's existence is just terrible for cinema. And the fact he tested it on a ride doesn't help. A ride and a film are two very different things. And any real filmmaker needs to understand that. Peter Jackson is George Lucasing his franchise, which is a big mistake. Tell your story first, and if the technology services your story, like Gravity, then go for it.
48 Fps doesn't serve the story of The Hobbit in any way. There's literally no reason why the film has to be at that speed.
Also, don't pretend like it doesn't matter. Don't act like "Oh whatever get over it, no big deal." It matters. And it IS a big deal. Is it going to take over cinema? Not yet. But it could. Kids love their 60 FPS video games, and have said they would like their movies to look like that. Which, holy ****, would be the worst thing to happen to film. Making a film look real is a contradiction, and a godawful one.
If you don't give a ****, that's fine. But a lot of people do. So let the discussion play out.
It's not about me not seeing it. It's existence is just terrible for cinema. And the fact he tested it on a ride doesn't help. A ride and a film are two very different things. And any real filmmaker needs to understand that.
48 Fps doesn't serve the story of The Hobbit in any way. There's literally no reason why the film has to be at that speed. .
Also, don't pretend like it doesn't matter. Don't act like "Oh whatever get over it, no big deal." It matters. And it IS a big deal. Is it going to take over cinema? Not yet. But it could.
Well anyone with common sense understands that film rides and feature films have a lot of overlap regardless of their ultimate differences. If a chair is incredibly comfortable in a stage auditorium does that mean its "George Lucasing" to offer that same awesome chair in a film auditorium? No. Theme park rides, music videos, even television are great places to "test out" new filmmaking techniques, which just a second ago you were up in arms about claiming that Jackson had done no such thing.
Peter Jackson is George Lucasing his franchise, which is a big mistake. Tell your story first, and if the technology services your story, like Gravity, then go for it.
Does color suddenly change the story of a black and white film? No. But it does make it a more immersive experience. It effects the artistry as well. Films are hardly exclusively about the simple telling of a story. How you tell it is it's own art form.
Please. Every digital projector that runs 48 fps can also run 24 so its not like all auditoriums are going to get a technical upgrade with no going back. Its going to be up to each individual director to choose what they want for their respective films. So, like with 3D, you'll have some adopting the format and other ignoring it with auditoriums showing some films with HFR and some without, and alternating options for the same film as was done with the Hobbit and IMAX/3D movies today.
Does color suddenly change the story of a black and white film? No. But it does make it a more immersive experience. It effects the artistry as well. Films are hardly exclusively about the simple telling of a story. How you tell it is it's own art form.
you mention 3D, but how is 3D doing? isn't it pretty much tanking because most people just don't like it?
It must not be tanking because every other big movie is 3D now.
It can, actually. It can very much. You can take a scene, and colorize it, and give it a totally different context in the story.
If I have a character sitting at a diner eating food after he's killed someone filmed in black and white, I could colorize a green or red light, to simulate his rage, and or guilt. Now the story has changed. The murderer has feelings for what he's done.
(This isn't to say that color is superior to black and white, i'm just making a point about how you could in fact change the story of a black and white film by adding color.
I remember reading some articles that spoke about how people were tired and how it doesn't enhance the movie experience.
They were also saying how tvs with 3D were not selling as well as they hoped.
Ill try to see where it was I read that
It's not about me not seeing it. It's existence is just terrible for cinema. And the fact he tested it on a ride doesn't help. A ride and a film are two very different things.
What a cop out that would be and not at all "artistic".
Then go dig up Hitchcock, and tell him how wrong he was.
It can, actually. It can very much. You can take a scene, and colorize it, and give it a totally different context in the story.
If I have a character sitting at a diner eating food after he's killed someone filmed in black and white, I could colorize a green or red light, to simulate his rage, and or guilt. Now the story has changed. The murderer has feelings for what he's done.
(This isn't to say that color is superior to black and white, i'm just making a point about how you could in fact change the story of a black and white film by adding color.
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