That's... not exactly what's happening. You're kinda close, but not really. But this is a proto-teaser, so I suppose there'll be more story elements in the following trailers.I'm not familiar with the novel or the story, so I'm the demographic this film has to appeal to if they want a hit. This is what I got from the trailer. The young Tim Burton guy is royalty and the son of a powerful man/king. The king wants to conquer a desert planet, but the natives will fight back.The young Tim Burton has the power to see the future when he sleeps and he sees a young woman and he likes her. When he and his father go to conquer desert planet, he sees the woman from his dream and he helps her and her people against his father's approval. Oh, and the planet has a giant worm problem. As a layman, that's all I got from the trailer.
Pretty much, yeah. It just comes off as them wanting to make a "serious" movie, so there can be no colour and everything must be in whispers.Yeah this was my reaction too. It didn't help that this was so, so hyped - I had read in quite a few places that insiders were simply blown away by clips they had seen.
I actually came away from this teaser trailer feeling like there was more visually memorable/powerful moments in Lynch's version - even the sand worms (which I KNEW they'd hold back for the last 30 seconds of this trailer...) I missed the scary/quirky weirdness and FUN of Sting, the floating fat Baron, the weird spice slug inside the moving glass cabinet etc. and also visually that twist of steam punk.
I get this is more of a teaser of the world and look with little story/character detail, but the monochrome/brutalist look combines with cold cerebral tone to create a blandness and boring vibe, less fantastical Space Opera wonder that you want more of.
I'm almost kind of worried about this movie now.
It's just fanart from DeviantArt. It's generic, but so is this "polygon/hexagon/brutalism" aesthetic we're getting. There's no reason they couldn't put more thought into it.I think LOTR did that very well. What I'm seeing in the picture above...a matter of personal taste, but it looks generic to me. Over-designed, organic Giger-Lite.
Lynch made an interesting and pretty to look at film. It wasn't a proper adaptation, but it did have its own charm and unique identity. This is all coming off as some generic show I'd find on Sy-Fy.Where we agree is that Lynch did a good job, although it's been years since I've seen it. I would also dig an Art Deco influence.
Even the MCU is better than the ST. I'll give them one thing though. They mostly had good cinematography. Even Rian the Hack had some beautiful shots in there.I'm going out on a limb and saying this will be better than the whole ST.
Despite the fact it will be slow as molasses and 3 hours long AND an unfinished 1st half.
I'm going out on a limb and saying this will be better than the whole ST.
Despite the fact it will be slow as molasses and 3 hours long AND an unfinished 1st half.
Sometimes, especially in film, simple is the better design choice.
If you are not spot on with everything, you run the risk of looking campy... or worse, a big Vegas drag show.
That said, I do agree that there could be more color. But we haven't seen everything yet.
I really never liked Lynch's Dune. I remember how disappointed I was walking out of the theater.
Paul: Is there a connection? Under his breath: Is there a connection? Paul's mind: Is there a connection? Paul's mother: Does he realize there's a connection? Paul's dog: Even I smell a connection.
[...]
Pretty startling, that comparison.
I imagine similar scenes would be shot in similar ways -- like a talking scene having close ups, war scene having epic wide shots, etc. I saw this more as the trailer company literally using Lynch's Dune as a template for their new trailer cut. Lazy.
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