Dr.Mirakle32
Super Freak
- Joined
- Dec 30, 2005
- Messages
- 2,862
- Reaction score
- 31
Remakes have been with us since the dawn of film. Some stories are so engaging, they require an update after an advance in technology becomes mainstream (ie, sound, color, widescreen, etc.)
That said, certain films have made enough of an impact to pave the way for entire genres and have stuck around long enough to be scrutinized decades after their release.
But in this past decade of reboots, I notice a disturbing number of people here, and elsewhere, becoming very critical of the originals in a series and praising the latest thing because it's new, shiny and somehow better written than its predecessor.
When Nolan's BATMAN BEGINS and THE DARK KNIGHT became widely acclaimed among critics and fans, I could totally understand the arguments for them being superior to the Burton films. Afterall, the Nolan films had strong screenplays, direction and a distinct vision, so it's easy to see why fans would prefer them.
The Daniel Craig Bond films, which I love, also spawned new fans. Unfortunately there are too many who dismiss the twenty films prior for being too cheesey, when they don't realize these things come in cycles. Timothy Dalton did what Craig did twenty years ago, but I know some people who won't sit through those films for being too old.
I remember when Sam Raimi's Spider-Man films were considered genre classics (just five years ago!) Now you have them treated like pieces of **** just because there's a NEW series that somehow honors the source material even more. Yet, Marc Webb's duo took what came before, became critically panned and have problems with basic things like character motivation and three-act structure. How those can turn people against Raimi's trilogy blows my mind. They aren't perfect, but from a basic storytelling standpoint, the new films are even worse. The same can be said for people praising the visually superior MAN OF STEEL to the dated effects of Richard Donner's SUPERMAN, but lumping the latter into Adam West territory because it's old and "campy".
Obviously, everyone is entitled to their opinion. I love the wide variety of interpretations for these long-standing characters; But in lots of cases, the argument is simply "out with the old, in with the new."
Is it a generational thing? Or have people always been like this?
That said, certain films have made enough of an impact to pave the way for entire genres and have stuck around long enough to be scrutinized decades after their release.
But in this past decade of reboots, I notice a disturbing number of people here, and elsewhere, becoming very critical of the originals in a series and praising the latest thing because it's new, shiny and somehow better written than its predecessor.
When Nolan's BATMAN BEGINS and THE DARK KNIGHT became widely acclaimed among critics and fans, I could totally understand the arguments for them being superior to the Burton films. Afterall, the Nolan films had strong screenplays, direction and a distinct vision, so it's easy to see why fans would prefer them.
The Daniel Craig Bond films, which I love, also spawned new fans. Unfortunately there are too many who dismiss the twenty films prior for being too cheesey, when they don't realize these things come in cycles. Timothy Dalton did what Craig did twenty years ago, but I know some people who won't sit through those films for being too old.
I remember when Sam Raimi's Spider-Man films were considered genre classics (just five years ago!) Now you have them treated like pieces of **** just because there's a NEW series that somehow honors the source material even more. Yet, Marc Webb's duo took what came before, became critically panned and have problems with basic things like character motivation and three-act structure. How those can turn people against Raimi's trilogy blows my mind. They aren't perfect, but from a basic storytelling standpoint, the new films are even worse. The same can be said for people praising the visually superior MAN OF STEEL to the dated effects of Richard Donner's SUPERMAN, but lumping the latter into Adam West territory because it's old and "campy".
Obviously, everyone is entitled to their opinion. I love the wide variety of interpretations for these long-standing characters; But in lots of cases, the argument is simply "out with the old, in with the new."
Is it a generational thing? Or have people always been like this?