Rayman
Freaked Out
(…)
First of all the lack of violcence has become quite distracting, it's obvious they are doing everything in their power to avoid and the constant cutaways from death scenes and injuries have become extremely annoying, violence is an integral part of TLOU and the games never shy away from it's ugliness unless it's for moments where the brutality is better left imagined than shown, the show isn't about that tho it's very clear they are staying faaaaar way from any sort of violence as possible I don't know if it's because there's this narrative that video games are too violent which is funny when Game of Thrones remains probably the most popular show of all time that had insane ammount of violence and gore in it and it was from HBO too, or something else entirely.
I agree with what's been said about the hunters I don't know why we must "humanize" every villain now, it has become a cliché at this point and an annoying one, some people are just pieces of **** and in the apocalypse where life is cheaper than a pair of boots having larger groups of murderers, rapists and thieves would only be natural because it's a world those kind of monsters can thrive in, we don't need a tragic backstory or a villain who thinks they're doing the right thing, especially when said villain is a woman with a squeaky voice who is about as a intimidating as a cute puppy.
(…)
I do understand your arguments, but I also believe there is an intention behind everything in this series - which is what I praise the most. Seems like a given but so much TV and movies seem to be made by some kind of ChatGPT-like AI nowadays, it’s refreshing seeing intention. Wether they deliver better or worse is a completely different thing though. Not everyone is Vince Gilligan (unfortunately imo).
When it comes to the violence, we did see Joel becoming extremely violent in episode 1 (for a tid bit, for sure), and in this last chapter we saw… nothing. But they’re also changing the focus from episode to episode. First 3 chapters, besides settling the world, all had different protagonists: 1st Joel, then Tess, then Bill. Episode 4 was more about Ellie, and I think that’s why they hid violence this time around. It’s what Joel wants for the kid. I believe it was 100% intentional. We shall see a little later if they hide violence when it’s “unhidable” (if you’ve played the game, you know what I mean). If they do that, that would be underwhelming for sure. For the time being, I’d give them the benefit of the doubt since the viewpoint was so much about Ellie in this episode.
About the humanizing thing…there’s no need to tell a backstory to humanize people, that’s something screenwriters sometimes forget or don’t dare to do. Pulp Fiction’s Wallace’s band-aid is studied for its repercussion, however fortunate that was, for creating such awesome backstories in the minds of people. That was humanizing too. It needn’t be shown or diegetic.
It’s totally true that they do seem to fall way too much into convention in this case. I couldn’t care less if she’s a woman or how badass she seems, but seems like time could be spent on something else, and that her motives could’ve been told other ways, without so much conventional dialogue. So yeah, agree on this point, it was maybe the dullest moment of the show this far, and felt specially out of place since it was such an intimate Ellie and Joel episode otherwise.
Anywho… chapter 5’s coming soon and I can’t wait.
EDIT: Pedro Pascal for president of the world. I have to disagree on that one. He’d do a better job at playing me than meself, you can quote me on that one