I think part of it is the increasing cost of production at the Chinese Factory level as well as the increasing ambitious nature of the pieces.
More lights, more size, more characters, more intricate designs . . . and the narrowing profit margin means more errors.
Also, they are asking for more and more in terms of paint applications. Painting Iron Man pieces well require time and attention and that equals money.
To be quite honest, one of the biggest problems we as collectors have encountered is sub-par paint applications. This is the heart of most of the returns. To be fair, paint application is also somewhat subjective. For example, "unacceptable" paint smears or blotches or brush strokes may be completely invisible to many less discerning or picky collectors.
This is the case with the Iron Man Mark VI maquette for instance where complaints about brush strokes on the chin or sloppy line work along the sides of the faceplate were common reasons for returns.
Other issues are much more objective. Paint chips, paint flakes, damage . . . these are unacceptable. Electronics that DON'T work as in Iron Man Maquettes or Thanos diormas are unacceptable. PAINT FLAKING due to the unforgiveable shortcut of not using primer (this is a 5th grade bush league mistake people) is UNACCEPTABLE. It is an embarrassment and usually mandates FIRING of the factory in question. Poor priming leading to paint flaking months or even years down the line has now affected Legendary Scale bust lines, 1:1 bust lines, and statues as well. These are CONFIRMED issues.
Even more troubling are the appearance of FACTORY PERFECT unofficial castings of rare Sideshow products. Balrog originals, black and white Ardeth Bey busts, Dracula busts, Xmen vs Sentinel, chrome Endoskulls . . . they are PERFECT. The only explanation is behind the back, illegal casts from the original Chinese factories.
These are problems that are essentially non-existent with Bowen or Clayburn Moore products. I have NEVER seen a Clayburn Moore pieces that wasn't exquisitely painted. In fact, they are done so well, I can't even see the difference from the prototype. I have NEVER seen Bowen "artist proof" knock offs on Ebay.
The bottom line is that these companies must be using better people in China with better factories and better quality control.
Right now, Sideshow is bigger than Bowen, bigger than Moore, bigger than Cinemaquette, bigger than anybody. With size comes these types of issues. Eventually, their reputation will begin to suffer as collectors increasingly ask themselves: "Are we going to get the piece we put down that non-refundable deposit for and waited 6 monts for?"
Instead of 1000 dollars on Sideshow, maybe I pay 1500 for a Cinemaquette because I know customer service is going to be impeccable and I'll be treated like royalty. Maybe I go for a Clayburn Moore 5000 dollar bronze instead of a 6000 dollar Endoskeleton because I think there will be less issues with the former.
Sideshow needs to send Tom Gilliland and his team to China and they need to take down names and kick ass because THAT is the weak link between design and prototype production and what winds up in our hands.
Currently, I've scaled back down to only the Star Wars 1/6 line of which I am a completist and the PF Disney and Lord of the Rings lines which I think still has very good quality control. Personally, I've become scared off Marvel completely.
I hope things change but there is more and more competition out there for "high end" dollars and when you spend over 1000 dollars on a piece, you expect NOT ONLY perfection but also perfect customer service.
Which brings me finally to Sideshow's customer service. Yes, they have almost always been unfailing polite but Jaclyn Yudowsky who was in Returns now is not. That leaves who? Inthia is in charge and who is going to help her out? With the increasing issues of quality control, there were only TWO people total (jaclyn and Inthia) to handle ALL OF THAT. Again that is unacceptable. Sideshow is fooling themselves if they think they are good enough and their Chinese factories "perfect" enough that they can handle ALL the return and replacement requests INTERNATIONALLY through only two overworked ladies.
Customers who have broken 500 dollar statues deserve a reply within 48 hours, if you can't do that, you need better quality control or you need to hire more staff to handle that.
I also am concerned about their policy to only allow two returns per customer whatever the issue. I understand this is to protect the company from the few individuals who are essentially unsatisfiable but again each issue should be looked at individually.
I returned a Mark VI maquette for a broken LED. My replacement had a broken chip off the right knee. These have absolutely NOTHING to do with subjective paint application issues and when I spend with tax and shippping 555 dollars for a "Legacy" piece, do I not deserve something without paint chips or a non-functioning LED light? Yet, I was told after the second picture that "no more stock was available" in Returns and offered either a full refund or a 20 percent off to have the statue "repaired."
We have had documented issues with Mark VI Maquette, Thanos diorama, Carnage Comiquette, Alien Warrior Maquette. Issues are NOT just with subjective paint application quality. Issues include broken statues, non-functioning LED lights, and easily seen scratches and chips.
I consider myself a very reasonable, very fair-minded, very educated person who is NOT obsessive compulsive with quality. For instance I kept my Stealth Iron Man comiquette despite 3 to 4 bad scratches on the back right shoulder armor and a small chip along the spine because I felt it did not affect the displayability of the piece.
I've been around watching Sideshow since the Sideshow Weta days. That was before they had things called "Premium Format." This was before they got the Star Wars license, the Marvel license, the Indiana Jones license, the Disney license, before dioramas, before 1:2 scales, before life-size, before Aliens, before Terminator, etc.
You can say I was around for the Renaissance of Sideshow when they rose from a niche garage kit and 12 inch figure specialist to an international high-end collectible powerhouse.
I think I do speak with the perspective of these long years (close to a decade!) that there is a VERY TROUBLING decline in overall quality and I do feel that while the very best is still in front of Sideshow, they need to stop for a moment and clean up their backyard especially with regard to their production facilities in China and their quality control both overseas and domestically.
Dennis