Just watched Thunderdome for the first time all the way through in I don't know HOW many years. Wow, I really had forgotten how that movie started and progressed to the final battle. Anytime I'd see that it was on TV and close to the end I'd usually switch to it so I was pretty familiar with the big chase but everything else....whoa, what a crazy ass 80's movie.
Talk about jumping off the rails from the previous two (or maybe jumping on the rails? You know, train...)
The first act is like some weird Terry Gilliam Conan the Barbarian movie with the long haired guy who stumbles on some ruffians who want him to fight in a cage, weird midgets and so on. Then the second act turns into "Hook" where he goes to Never Never Land and meets the tribal kids with weird hair. Then finally the last act actually becomes a Mad Max movie. Such a weird ass flow.
But in the context of mid-80's sequels that lose their edge or get downright goofy (Return of the Jedi, Temple of Doom, Conan the Destroyer, Jewel of the Nile) Mad Max Beyond Thunderdome was right at home.
It does not feel connected to the original Mad Max *at all,* even more removed than Fury Road with its replacement Max. But still, I like that as the third film in the trilogy it had the confidence to still give us something new instead of just retreading the first film (like ROTJ and Last Crusade did.) Also the Ultron in me likes it when there's symmetry and geometry in movies and all that and I really think this movie was the perfect bookend to his character with him ending as he began, playing chicken with a bad guy. Okay I guess Road Warrior ended that way too but how many times can he do it.
I noticed that the movie was "Directed by George Miller and George Ogilvie" and had to wonder if Ogilive directed the first two portions of the film and then Miller said, "Okay I'll do the finale" because then it all of a sudden turns into The Road Warrior. And randomly enough that assumption was correct:
George Miller, director of the first two Mad Max movies, lost interest in the project after his friend and producer Byron Kennedy was tragically killed in a helicopter crash while location scouting. Miller later agreed to direct the action sequences, with George Ogilvie directing the rest of the film. There is a title card at the end that says, "For Byron."
Mad Max: Beyond Thunderdome - The Mad Max Wiki
So that's why this one just feels so different. Miller was just kind of a glorified second unit director on it.