fosing
Super Freak
Re: Prometheus Sequel (March 2016)
landscape eye candy garbage.
Prometheus was straight garbage.
landscape eye candy garbage.
Prometheus was straight garbage.
If Scott had kept with the 20 foot Engineer's it would've been a natural progression that the Xeno born from the derelict's pilot would've been this huge Ultramorph. But what would've been even better was if a Xeno born out of an Engineer is the Queen Xeno, it just makes more sense and holds the story together much more tighter.
I agree with all that, but I honestly don't like the Queen angle... I never liked to think of them as an insect colony. Don't get me wrong, I like the Queen... but I prefer O'bannon's version.
For decades he wanted to make a movie around mysterious extraterrestrial creature from O'Bannon's story yet couldn't conceive a proper story on his own or let those who work in that field do their job. There's nothing to respect.I respect the fact that Scott wanted to do something different.
Aliens was a very entertaining movie. What any movie should provide for the viewer (i loved it) unfortunately it killed the "Alien" creature. It made them into "shoot-em up" ants! I guess it was the price we pay for such a great film
I like what Alien 3 (assembly cut) tried to do which was bring it back to the original.
Aliens was a very entertaining movie. What any movie should provide for the viewer (i loved it) unfortunately it killed the "Alien" creature. It made them into "shoot-em up" ants! I guess it was the price we pay for such a great film
I like what Alien 3 (assembly cut) tried to do which was bring it back to the original.
I love the movie as its own movie and love the look and the atmosphere. the story is retarded but the movie is amazing to watch and the music is amazing as well.
I HATE Lidelof but his first draft of the movie was not even as bad as it is now. Scott Asked him to make it more mysterious and to hide more stuff. Not even Lidelof made it as problematic as it is now.
that's ALL on Scott.... he made the movie he wanted to make.
Very well said. Virtually everyone on this site will disagree with you though.I actually liked some of the things that were left deliberately vague - it was far more interesting to me, in terms of David's character, for him to have a brief, unsubtitled exchange with the Space Jockey than the original cut of that scene that went on for longer and was fully-subtitled. I liked that ambiguity, not being sure exactly what the two had said to each other and being left to draw your own conclusions as to why the Jockey beheaded David and killed Weyland.
I feel complaining about some of the things left unexplained is like complaining that they never explained what the Jockey in the original Alien was, or where the eggs came from, or why the ship crashed. Sometimes it's far more effective to just let the audience's imaginations consume them coming up with theories and explanations of their own.
Visually and aurally it's a tour-de-force of a movie. The world of cinema's going to be a lot poorer when Scott shuffles off this mortal coil.
For decades he wanted to make a movie around mysterious extraterrestrial creature from O'Bannon's story yet couldn't conceive a proper story on his own or let those who work in that field do their job. There's nothing to respect.
Ridley Scott is an awesome cinematographer and that's it.
Too often he pokes his arrogant nose where it doesn't belong.
I actually liked some of the things that were left deliberately vague - it was far more interesting to me, in terms of David's character, for him to have a brief, unsubtitled exchange with the Space Jockey than the original cut of that scene that went on for longer and was fully-subtitled. I liked that ambiguity, not being sure exactly what the two had said to each other and being left to draw your own conclusions as to why the Jockey beheaded David and killed Weyland.
I feel complaining about some of the things left unexplained is like complaining that they never explained what the Jockey in the original Alien was, or where the eggs came from, or why the ship crashed. Sometimes it's far more effective to just let the audience's imaginations consume them coming up with theories and explanations of their own.
Visually and aurally it's a tour-de-force of a movie. The world of cinema's going to be a lot poorer when Scott shuffles off this mortal coil.
Agreed.
On the movie, I don't find the unanswered questions annoying, I find some of the clumsy writing annoying.
- They arrive at the planet, immediately enter the atmosphere, and the immediately find the structure they are looking for? Visually?
- The captain of the ship decides, on some flimsy evidence, that he's going to believe the rantings of the silly scientist who got it all wrong to begin with, and commit suicide. But not only that, his comrades support him on even flimsier evidence!
And there are other little details here and there...
As far as Scott, although the man is clearly past his prime, I do think he has given us great movies throughout his career.
I actually liked some of the things that were left deliberately vague - it was far more interesting to me, in terms of David's character, for him to have a brief, unsubtitled exchange with the Space Jockey than the original cut of that scene that went on for longer and was fully-subtitled. I liked that ambiguity, not being sure exactly what the two had said to each other and being left to draw your own conclusions as to why the Jockey beheaded David and killed Weyland.
I feel complaining about some of the things left unexplained is like complaining that they never explained what the Jockey in the original Alien was, or where the eggs came from, or why the ship crashed. Sometimes it's far more effective to just let the audience's imaginations consume them coming up with theories and explanations of their own.
Visually and aurally it's a tour-de-force of a movie. The world of cinema's going to be a lot poorer when Scott shuffles off this mortal coil.
I actually liked some of the things that were left deliberately vague - it was far more interesting to me, in terms of David's character, for him to have a brief, unsubtitled exchange with the Space Jockey than the original cut of that scene that went on for longer and was fully-subtitled. I liked that ambiguity, not being sure exactly what the two had said to each other and being left to draw your own conclusions as to why the Jockey beheaded David and killed Weyland.
I feel complaining about some of the things left unexplained is like complaining that they never explained what the Jockey in the original Alien was, or where the eggs came from, or why the ship crashed. Sometimes it's far more effective to just let the audience's imaginations consume them coming up with theories and explanations of their own.
Visually and aurally it's a tour-de-force of a movie. The world of cinema's going to be a lot poorer when Scott shuffles off this mortal coil.