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Yet I feel all that applies here too. Halfassed story, CG'd hero, etc. It's like they looked at RoboCop, took what would be easy to reproduce for the quick cash grab (superficial plot elements, basic, hollow representations of the principals), and halfassed the rest... just like they did with ASM.
Except they don't have **** Jones and Clarence Broddicker knock offs running around trying to turn the entire city of Detroit into them. Lizard was a blatant rip off of Norman Osborn, split personalities and all. They took the Raimi playbook and played it page by page, only for the worse (Chocolate milk killed Uncle Ben, yeah!). Now ASM 2 is doing a bit of the same, "this is bigger than you Peter", Harry Osborn, the freaking suit etc. etc.
This new Robocop? Seems original enough so far. Sounds like the only negatives for the film are little to no chemistry between Murphy and his wife (the original had none save for a flashback dream), no clear, stereotypical villain (can never top Clarence and the gang, so they know that and don't attempt it with "hollow representations") and big action sequences that aren't as good as the actual story, messages and philosophical ideas in the film.
Doesn't sound so bad to me. Kinneman is getting praise (especially for the scene that everyone is talking about . . . with that "hand"), Oldman and Keaton are getting praised (don't remember a scientist character in the original. There was that chick that kisses him during the Robo POV's but not a fleshed out character), Jackson sounds like a hoot as a sort of Fox News knock off, and there's ironic humor and nice messages throughout the picture.
It sounds like thought went into it, that there's actually a love and care that went into the picture. It could never live up to the original (the filmmakers state this), but, judging by the reviews and interviews, there seems to be a sincere interest in the character here. Not freaking Sony trying to capitalize on the franchise in a blatant attempt of rights control so Marvel and Disney can't get em.
You know that black rubber suit you hate?
According to the reviews, that "black, tactical" bull **** is a joke about modernity, and the filmmakers make fun of it. Something along the lines of what Verhoeven would do.They don't make fun of the original Robo or his look at ALL. They make fun of the '3.0' suit and embrace the original at the end.
That hand? That hand actually has a purpose in the story that mirrors the "total body prosthesis" of the original.
That hand? That hand actually has a purpose in the story that mirrors the "total body prosthesis" of the original.
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