I think it's worth mentioning that the original RoboCop (1987) is possibly the most expertly crafted superhero film ever made. Better than STM, TDK, Avengers, and so on.
The squeaky clean hero, horrifying introduction of the ED-209, chilling detachment of the board executives, tragedy of Murphy's death at the hands of Clarence's gang.
The ingenious first person cyborg transformation, main costume teases as Robo arrives at the police station.
"First night out," where we see him deal with a thief, rapists, and a politicial terrorist, utilizing unique tactics for the dispatch of each.
The dream sequence, poignant return to his old home, ***** to the wall duel with the ED-209, epic police firing squad in the parking garage.
The 1,2,3 payoff of his data spike (middle finger, Clarence's death, then a bloody spike gag followed by sealing **** Jones' fate.) It wasn't just a one-off gimmick it was used to brilliant effect repeatedly and in a different way each time.
Michael Arndt stated that one of the most ingenious elements of the original Star Wars was that so many plotlines were resolved in such a short amount of time as to create an almost euphoric audience experience (Luke trusting the Force, Han redeeming his previous abandonment, destroying the mechanical monstrosity, and returning to the girl.)
In RoboCop Murphy dispatches Clarence, the ED-209, and **** Jones all within a span of about two minutes or so. Epic payoff.
And extra points for masterfully juggling the "multiple villains" aspect that has plagued so many superhero films since. Jones, Clarence, and the ED-209 all challenging Murphy in different ways, with none of them being under utilized or emasculated by being another's *****. Even the stairwell squealing didn't undermine the fearsomeness of ED.
He even had "the girl" help him at the end as many films do now but without her assistance undermining his own badassedness.
Pure brilliance from beginning to end.