More tributes to Stan, courtesy of AICN...
Jon Favreau
"He was a giant. I was blessed to have known him. I worked with him on both Zathura and Iron Man. He was experienced and helped guide me while never losing his childlike enthusiasm. He was the king of integrating practical effects with CGI, never losing his relevance in an ever changing industry. I am proud to have worked with him and we were looking forward to future collaborations. I knew that he was struggling, but I had no idea that he would be gone so soon. Hollywood has lost a shining star."
Frank Darabont
"I'm still reeling from the news. Losing Stan is a real blow for me, as I'm sure it is for a lot of people who loved his work. He was clearly a genius in his field. He and I talked about working together for years, but we never found the project to make it happen.
Stan was one of those people it was impossible not to like. I met him around the time of Eraser. Back then Schwarzenegger was always throwing these dinners at his restaurant in Santa Monica—lots of food, wine, and cigars. And because Stan and I were fans of each other’s work, we’d often wind up sitting together. We’d trade stories, talk movies, and laugh our asses off. Stan was a fantastic dinner companion, a real raconteur, and one of the most affable guys you'd ever meet. He was brimming with enthusiasm that was genuine. As revered an industry figure as he was, he was still basically the kid who loved movies and broke into the business for the magic of it, and he never let go of that attitude. Though the business itself can grind you down, it never jaded him or diminished his joy for the creative side of what we do. He simply loved movies too much to allow that. That impressed me enormously about him.
One of the blessings of being in movies is when you meet icons whose work you deeply admire and they turn out to be fantastic people. They’re the ones you’re honored to encounter along the way, the people who are kind and gracious and inspiring in addition to being superbly talented. They exhibit genuine humanity and touch your heart in various ways, and you foolishly figure they’ll always be around to get to know better as the years go on. But then they are taken far too soon, and you’re left with the deep and lasting regret of not having gotten to know them nearly as well as you’d wanted or expected to. I’ve met and lost a number of extraordinary people who fall into this category, among them Roddy McDowell, John Frankenheimer, Sidney Pollack, Dave Stevens, and John Alvin. Stan Winston now sadly joins my list.
The best way to sum up Stan is to share my best memory of him. I’ll never forget how excited and honored we both felt the day we participated in presenting a star on the Hollywood Walk of Fame to our mutual childhood hero, Ray Harryhausen. Stan and I spent the afternoon on a “pinch-me-because-I-must-be-dreaming” high. We kept pulling each other aside and muttering things like: “Wow, can you believe we’re here? Can you believe we get to do this? Isn’t this the coolest thing ever?” In short, we spent the day geeking out like a couple of giddy kids. Whenever I think of Stan, I’ll think of his joy and his childlike enthusiasm that day."
Joe Dante
"Although Stan was prematurely gray, he always exuded so much youthful enthusiasm that he never seemed much older than 20, making today's sad news all the harder to accept.
Like many of us who began as monster kids, he was eternally excited to be part of the movie business, even after becoming one of the major names in his field.
I met Stan at Amblin when he was doing GOONIES, where he was providing a giant octopus that eventually got cut from the movie, and I admired his direction of PUMPKINHEAD, but we didn't really get the chance to work together until SMALL SOLDIERS, for which his studio provided most of the designs for the various living toys. The level of detail that went into the creation of these figures and their on-set animation was prodigious, and subject to lots of trial and error. How much was to be accomplished on-set and how much would be ceded to ILM's CGI artists was in constant flux. In the end the scale tilted more toward ILM than any of us had expected, but Stan and his guys were totally on board with whatever was best for the picture.
But that was Stan's ethos.
Whatever worked and made everybody look good.
One less artist and a major loss for all of us.
Rest in peace, Stan, with the knowledge you made a difference in the world you loved best."
