Prime Clone
Super Freak
Bill Sienkiewicz:
It was like it was written by rian johnsonObviously off topic, but the third act of the movie felt so out of place with such a drastically different flavor from the rest of the film.
I think we all absolutely loved the detective/noir/mystery themes of the first 3/4 of the movie, and can agree that it was a great approach to a Batman movie as a whole, but for me, once that dam blew, all the scenes that followed felt so generic with disjointed, inflated suspense for no reason which seriously made the film feel like it didn’t know what it wanted to do with itself anymore (lmao remember that fakeout slowmo scene where Bats cut the electrical cable with his bat knife thing only for the music to cut out and him standing up 3 seconds later? Wow totally convincing).
It’s honestly still one of the better DC movies to date imho but for all the buildup the movie had, that ending felt completely directionless, even though the original intent behind having the Riddler setting up a huge disaster that Bats missed is so great in concept.
Anyway, I’m still not entirely sure how to feel about this figure. It’s obviously amazing and insanely high quality, but I’ve become somewhat tempted to let my premium ver. PO go to someone else.
When I heard on of the endings to Flash......spoilers..Its a shame batfleck never got his standalone
I'm proud to have been one of the 5 people in the world who actually paid to see this on theatrical release. . .damn shame, because to this day I say this is the best theatrically released Batman movie.Batman: Mask of the Phantasm
That sounds about right how I would list out mine.I'm proud to have been one of the 5 people in the world who actually paid to see this on theatrical release. . .damn shame, because to this day I say this is the best theatrically released Batman movie.
In terms of ranking the live-action ones, the first two Nolan films are at the top for me, followed by the Pattinson one, then I would probably list the '89 film and Rises on the third tier. Returns, LEGO, and '66 Batman next, and after that are movies I don't enjoy. But there, I put the the Snyder movies over the Schumacher ones.
It was. Wasn't that all the reshoot that the studio demanded? A big, loud climax for Bats?Obviously off topic, but the third act of the movie felt so out of place with such a drastically different flavor from the rest of the film.
To be fair, the ending was worth it for the beautiful shots of him walking out with the flare and the symbology of that whole scene.
Didn't like that -- it was such an obvious "development note".
And nope, don't really understand the car chase beyond Batman having to catch the Penguin escaping.
I think it was just to seperate the goons, but it still doesn't sit right with the flow.
I kind of loved that aspect.The most distracting thing about The Batman, even more than the entire ending, is having Batman investigate crime scenes while crowded with police officers.
I agree. It felt very BTAS to me as it wasn't always just Gordon and Batman meeting alone somewhere or at the signal to talk about the case. Sometimes Bullock was there or just the random beat cops. I felt that was reflected in the movie pretty well. Sometimes it was at the signal, or while they were "on the case" and other times Batman was there with the other officers.I kind of loved that aspect.
Watching him calmly stroll through the hallway, as he towers over the cops who line both walls was cool.
He’s very much shown to be an outsider so it still works for me.
He was like Gordon’s special consultant, who is more talented and efficient at the job and more trusted by the boss than everyone else there, and they hate him for it- along with the fact that he’s a psychotic, violent vigilante in a ludicrous costume who the cops would arrest instantly in any regular city.
This was a high profile case that needed all hands on deck and the added tension of a room full of distrustful cops worked for me.
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