Mookeylama said:hot damn this was a great movie!! saw it last night and i REALLY wish i'd made it to the theaters for this one. read the comics some years ago along w/ Watchmen and Moore's Marvelman work and liked them, but i didn't expect the movie to be this fabulous.
anyone know why Moore asked to have his name removed from the credits?
KitFisto said:I bought it on DVD when it came out, but have not watched it yet.
You should read V for Vendetta... I think you'll enjoy it. I also highly recommend the League of Extraordinary Gentlemen. Although the movie was one of the worst things I've ever seen.tomandshell said:I watched it on DVD and thought it was good. Haven't read the original V for Vendetta, but I just read Moore's Watchmen last weekend and really enjoyed it. I don't read too many comic books--oops, I mean "graphic novels" or the even more pretentious "sequential storytelling"--but I found Watchmen to be just as good as it had been hyped up to be, if not better. Not sure how well it would translate to film, though...
Jesseawilson said:I bought an Asian import version about a month b4 it came out and watched it 4 times in the first week. I really want these stupid movies to start coming out on HD/BR so I can start buying movies again. I have been holding off for about a year now but had to get this one.
Jesse
Figuremaster Les said:I liked it too. I think Moore is very particular about any take on his work in movie form. Maybe there was some internal creative squabble or something. I think it had to do with the fact that the comic is based in the 1980's and was all against the Thatcher time period...and the filmakers made it more universal by making it in the future, in a future totalitarian age....I think....
I agree with the filmaker's choice. This makes the movie good for any time, not just a slam on a particular era, which would date it severely.
But, whatever the rate, I liked it a lot myself.
Message delivered
There's no mistaking the political statement in V for Vendetta, in which the hero is also a terrorist.
By Steve Persall
Published March 16, 2006
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V for Vendetta is the boldest political statement against the Bush administration since the 9/11 terrorist attacks. Even Michael Moore wouldn't prescribe bombing government facilities as a cure for dubious leadership. A futuristic setting in England doesn't disguise the film's rabid intent.
James McTeigue's movie will be branded as irresponsible, even dangerous, by some viewers, although if the past in any indication, the ones who don't see it will yowl loudest. All those knee-jerk critics need to know is that the film's hero is a terrorist.
V for Vendetta audaciously proposes that one man's terrorist is another man's freedom fighter, and the difference between good and evil is mostly semantic.
The film is based on a graphic novel written by Alan Moore and illustrated by David Lloyd; the book was released in 1989 to protest the political atmosphere of the Margaret Thatcher years.
The plot has been reworked to post-9/11 sensibilities by Andy and Larry Wachowski, who wrote their first draft before The Matrix made them famous. Alan Moore has distanced himself from the production; an adapted dud such as The League of Extraordinary Gentlemen can make an author skittish.
Or perhaps he guessed a firestorm lay ahead and didn't want to answer for other authors' ideas. The Wachowski brothers are notoriously reclusive, making this a cut-and-run protest of sorts. V for Vendetta will reignite those claims of disconnect between the film industry and the real world that George Clooney eloquently doused at the recent Academy Awards.
There's no mistaking the political statement in V for Vendetta, in which the hero is also a terrorist.
By Steve Persall
occulum said:I think Moore takes his name off of pretty much everything cause he can. Doesnt want to be associated with anything mainstream. He's just wierd like that
After reading the script, Moore remarked that his comic had been "turned into a Bush-era parable by people too timid to set a political satire in their own country.... [This film] is a thwarted and frustrated and largely impotent American liberal fantasy of someone with American liberal values standing up against a state run by neoconservatives — which is not what [the comic] 'V for Vendetta' was about. It was about fascism, it was about anarchy, it was about [England]." He later adds that if the Wachowskis had wanted to protest what was going on in America, then they should have used a political narrative that spoke directly at America's issues, similar to what Moore had done before with Britain.[10] The film changes the original message by arguably having changed "V" into a freedom fighter instead of an anarchist. An interview with producer Joel Silver[11] suggests that the change may not have been conscious; he identifies the V of the graphic novel as a clear-cut "superhero...a masked avenger who pretty much saves the world," a simplification that goes against Moore's own statements about V's role in the story.
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