King Darkness said:
Sweet Jesus. Manson, Pop , Bowie & musical should never all show up in the same sentence! I'm intrigued yet repulsed at the same time.
Then check this, Hedwig is about a German kid who got a sex change to sneak past the Berlin Wall with a US Officer who fell in love with him. The sex change operation got botched, and he was left with a one inch stump.
He starts a rock band, but all his songs get stolen by his protege, who goes on to be a huge success while Hedwig is stuck playing lounges. There's a film version out that is completely faithful and well worth checking out. At the very least, you've got to hear "Origin of Love." Just amazing rock and roll music.
Now that I think about it, Hedwig is really more like The Who's Tommy meets Rocky Horror.
Davis Gaines was a great Phantom! He and I went to the same college, and I got to see him when he returned to do a benefit.
And it IS a shame what Schumacher did. He got so much right, if only the casting had been on par. Raoul was wonderful, but Christine couldn;t hit the high notes, and the Phantom was too young and too pretty. And his deformity NEEDS to be grotesque to justify Christines horror of him. If it looks like acne (as it did in the movie) it makes her look really shallow.
I know Les Miserables by heart. What an amazing score.
Early Webber is certainly better than his later works. Jesus Christ Superstar is an amazing work.
I once played the Abe Vigoda part in Arsenic & Old Lace. One of the best roles ever. Love to play evil *******s.