Since Tony Stark is the unofficial MCU "Reed Richards" and GOTG is now their cosmic team Marvel doesn't really need the FF. But working out a deal to get access to Galactus would be nice.
And Silver Surfer
Since Tony Stark is the unofficial MCU "Reed Richards" and GOTG is now their cosmic team Marvel doesn't really need the FF. But working out a deal to get access to Galactus would be nice.
And Dr Doom. He needs to be the big bad guy in a good movie.
And Dr Doom. He needs to be the big bad guy in a good movie.
Torch, Thing, Invisible Woman and Mr Fantastic can all be side characters in a big team up movie.
They should make a deal with Disney like Sony. Let Disney use the F4 in their MCU and let them help make a proper F4 film.
I don't want the F4 to be apart of the Singerverse, I don't want an X-Men TV show to expand the universe, I just want good standalone X-Men films like X1, X2, FC, and DOFP. I have a feeling Apocalypse will be the last of these kind of X-Men films, so after that movie i'm pretty much checking out of superhero movies altogether.
Fox can either make a sequel, re reboot or deal with Marvel. If the movie is really as bad as reviews say, then I won't care either way, I'm not fond of Marvel's movies, and it seems like Fox is only capable of making bad Fantastic Four films, so I really don't care what ends up happening to the F4 rights.
I do feel bad for the Trank and the rest of the cast though, I hope they can all bounce back from this debacle, especially Trank.
I do feel bad for the Trank and the rest of the cast though, I hope they can all bounce back from this debacle, especially Trank.
Given the dumspter fire that Fan-4-Stick has become, it would be better if the rights reverted wholly back to Marvel.
But considering how that scenario played out with Daredevil--leaving Marvel with another triumph and Fox with more "D'Oh!"--I can't see the egos of the Fox brass allowing it.
Here's how to bring the FF into the MCU retroactively:
>Have the first movie set in the Cold War/Atomic Age of the 1960s.
>They're scientists (and a test pilot) working on Top Secret projects. Like Hank Pym not wanting to see his technology weaponized, Reed clashes with the Army brass over the use of his discoveries (like Fermi & Oppenheimer).
>Accident gives the team their powers, they have NO secret identities, the Pentagon clamps down on them and keeps them deep in a black program. The public has no knowledge of their existence. The military considers them "enhanced" like a certain super soldier . . .
>This would allow them to interact with Hank & Janet Pym during their secret agent days and encounter a certain Monarch of Latveria, who is already an established world threat and diabolical genius.
>Final reel of the first film: The FF battle Doom. At his Time Cube Machine. Something original happens (I'm thinking a blue beam of light shoots up into the sky), and all five characters are <FOOM!> displaced in time to: The Sequel, which resumes sometime after the events of the Thanos war.
Just get Doom done properly for once.
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Gully Foyle;8013344 Here's how to bring the FF into the MCU retroactively: >Have the first movie set in the Cold War/Atomic Age of the 1960s. >They're scientists (and a test pilot) working on Top Secret projects. Like Hank Pym not wanting to see his technology weaponized said:and[/I] encounter a certain Monarch of Latveria, who is already an established world threat and diabolical genius.
>Final reel of the first film: The FF battle Doom. At his Time Cube Machine. Something original happens (I'm thinking a blue beam of light shoots up into the sky), and all five characters are <FOOM!> displaced in time to: The Sequel, which resumes sometime after the events of the Thanos war.
Absolutely agreed on all points. I'm not a fan of MCU, either, and the X-Men movies are the cream of the crop (in my opinion) of Marvel-related films. Leave X-Men out of ANY crossover. The films can stand well on their own.
I don't. Trank, MBJ, and Teller all came off as cocky jerks when doing the press for this movie going all the way back to SDCC.
Josh Trank got fired from a Star Wars film. I can think of no greater punishment.
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