1/6 Hot Toys BvS: Dawn of Justice - Superman

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I like Cavill supes. He's discovering himself as superman and trying to fit into a world that are coming to grip with aliens. However his character development in BvS was kinda flat and lacking to me. Needed more in terms of the story which was not Cavill's fault but probably the lack of time to put everything into the movie. He has done a good job thus far. Just as Batfleck has.

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Because that movie isn't that good

Salty. :lol

Of course, many don't consider Iron Man 3 that good of a movie, either, but that didn't stop HT from making (and collectors from buying) 6,000 different Iron Man figures, most of which were barely even seen on screen.

It's not as simple as that. It's probably more due to today's collectors' sensibilities. Superman just isn't as popular these days. Not even the Christopher Reeve Superman (which was a Homerun from HT) sold like hot cakes.

I've always thought that mentality was ridiculous. Reeve was great but it's not an original character he invented. Superman was around long before him, and will be here long after Cavill and the actor after him.

Very, very true. Also, many people don't seem to realize that George Reeves embodied Superman for 30 years before Christopher Reeve did.

As much I love Reeve, too... There really is no single, definitive Supes.
 
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I still can't understand why MOS figure didn't sell well. he is such an amazing figure in person even 10 times better. for his price he's a real treasure.

A nice figure indeed. The MoS line in my opinion is one of HT's best.

However, as others have mentioned, Superman in today's market just isn't very popular to begin with. So you're already right off the bat at a disadvantage. Two, MoS essentially divided whatever Superman fans there are in half; you either absolutely loved the film and were accepting of a new interpretation, or you utterly detested it because you're adamant that the only Superman is Christopher Reeve and nobody else. So from there, further divide whatever Superman fans there are in half and those are generally the ones that are at least going to show an interest in MoS figures (which also by the way doesn't necessarily mean they will by default buy them).

I've always thought that mentality was ridiculous. Reeve was great but it's not an original character he invented. Superman was around long before him, and will be here long after Cavill and the actor after him.

Those people act like Superman in film should just fade away after he died.

Very, very true. Also, many people don't seem to realize that George Reeves embodied Superman for 30 years before Christopher Reeve did.

As much I love Reeve, too... There really is no single, definitive Supes.

My sentiments also.

As was said in an excerpt from an article regarding BvS that was posted yesterday in the BvS Batman thread in this section:

"I think a large part of the disconnect some reviewers and viewers feel toward this film arises directly from the fact the film presents interpretations and incarnations that don’t directly fit into any single purist preference for “the right way” to portray them. If you have only one Superman or one Batman you like, and/or if your conception of them lacks room for the other many interpretations over the decades, and/or if you are opposed to seeing a cinematic adaptation that actually attempts to reflect MANY eras and approaches to these characters, then that’s frankly going to affect your viewing experience and your opinion of this film."
 
In fact, I'll just repost the entire article here as was posted by Skywalker(OG)Kush, who found the article on Forbes and posted it yesterday in the Batman thread. It's a very good read.

Found this analysis on Forbes, was a pretty good read. Its long as hell, I cut out some of it. If want to read the full aricle google search snyder loves superman.

The world is cynical, skeptical, and jaded. War, poverty, violence, hatred — these are the daily realities for so many people, and even those in positions of so-called power realize how helpless they are to stop most of it. Lex Luthor’s remark about a person with knowledge being smart enough to realize they are powerless in the world is a crucial hint into his own psyche and how the scars of this lesson were beaten into him from a young age, for example. He articulates a truth, a knowledge about the powerlessness of mankind in the face of our own destructive impulses, and that we pretend toward power and knowledge to shield ourselves from those realities.

Bruce Wayne's entire arc is that of a man whose life is defined by feeling powerless, beginning as a child watching his parents murdered in the street for no reason at all and growing up to dedicate his life to fighting crime as Batman. He became a gardner, pulling up weeds in a garden already overrun by them, and now as an aging man he faces the harsh truth of his ineffectiveness, of the terrible losses despite his best intentions and best efforts. He has the knowledge to understand now that he’s always been powerless, that he never escaped that alley where he watched helplessly as his parents died. That’s why he’s become cruel, more violent, crossing lines he didn’t cross before. The world didn’t become better and safer, it just fought back twice as hard to remain corrupt, and so Batman keeps fighting harder in return, even as he feels his battle is hopeless in the long run.

And then comes a man from the sky to put a fine point on all of it, a man who can stop suffering and injustice, a man of near limitless power. Superman holds up a mirror to Bruce, to Lex, and to the world, showing us what real power is, and showing us how the application of real power can be in service to absolute good if only we will allow it. But there was no Superman, no absolute good power, to rescue Lex from the abuse and perversions of his father, so why should the world now have a Superman? A good power that failed him, that left him to suffer, and that tries to represent hope in a world Lex sees as hopeless, is not a power he can trust or accept. It makes him all the more aware of his own powerlessness, and to overcome that feeling he will raise himself up like a God and drag the God down to the dirt, destroying the absolute good that Lex believes never existed in the first place.

Bruce meanwhile sees Superman in much the same way as Lex. There was no Superman to save Thomas and Martha Wayne, no Superman to help Batman pull up the weeds overrunning Gotham. Every “good” Bruce saw over the years, every person who supposedly fought for hope and justice, either died or became corrupted, or just gave up. He doesn’t believe in absolute good anymore, and so all he can see in Superman is absolute power that cannot be trusted because it exists in a world too cynical and damaged to allow such power to be good. Superman is a symbol of all of Batman’s failures, of his greatest fears come to life, and if all good has become corrupted eventually, then this absolute symbol of Batman’s helplessness and failure cannot be allowed to exist anymore. Superman will be destroyed, because Batman has become another of the “good” people who couldn’t remain good in a world this bad, even if he doesn’t (yet) realize he is one of those people he was talking about.

Lex and Bruce represent the world itself, a flawed and distrustful place that feels unworthy of absolute good and so cannot let itself dare to hope such good really exists. Idealism has been replaced with cold disillusionment even among the youth who are far too inexperienced and immature to truly feel as faux-jaded and cynical-chic as they pretend to be. Power always, inevitably becomes corrupted and used to perpetuate inequality, violence, oppression, exploitation, and other ills in our world, we say. So we reject hope, we reject the idea of a common good, because it’s not 1938 and apples don’t cost a nickel and the “good ol’ days” were never good for everybody after all.
Superman stands in stark contrast to that cynical world. He wants to be a symbol of hope, he wants to use his powers for good, he wants to inspire us to overcome our skepticism and learn to have faith again, to believe there will be good ol’ days in our future after all. So he gets up every day and goes out to save us, to redeem us all by himself, even when we tell him to stop and to go home. Superman is idealistic, and Batman v Superman demonstrates this time and again.

Clark Kent/Superman notices Batman’s vigilantism is mostly confined to the poorer neighborhoods, and that police mostly ignore Batman’s actions precisely because his targets are primarily in those poorer areas. Clark wants to raise awareness, to give voice to those people, because he feels it is the responsibility of society to stand up for those who need mercy and whose voices are ignored. He’s not just fighting for idealism and absolute good as Superman, he takes his lessons seriously and is trying to fight for the same idealism in his everyday life, and to inspire others to do so both as Superman and as Clark Kent.

When the world keeps questioning him, he says he will not stop fighting for what’s right. Are there unintended side effects of his actions? Yes, but we know the real truth — those side effects are caused by humanity, either as a conspiracy precisely determined to undermine the world’s trust in Superman, or as actual human reactions to Superman. When Superman intervenes around the world to help people, we all have a choice about how we can react. When countries choose to react with anger and violence against their own people, that is not because Superman’s good actions were at fault, it is because he didn’t fully appreciate how rotten humanity can be. He has faith in us, which is why he assumes we will eventually learn to have faith in him. He holds us in much higher regarded than we deserve, convinced in our basic goodness deep down in our hearts. The question is, will we be inspired to try to live up to his faith in us?


During the U.S. Capitol sequence, a crazed bomber destroys Congress to punish Superman and send the message that hatred and cynicism will always strike as long as Superman continues trying to inspire us. This is the moment where Superman’s true doubt about his role on Earth begins. His doubts arise because he has thus far insisted he won’t stop helping people and fighting for good, just because people blame him for side-effects caused by bad people. He cannot, he felt, predict such things and he cannot plan his actions based on assuming the worst in humanity — that’s contrary to his entire purpose, obviously.

Now, however, he realizes that the bombing is just a symbol of a bigger problem. He didn’t see the bomb that was right in front of him, he says, because he wasn’t looking. He didn’t assume the worst, he didn’t believe the world when the world tried to tell him repeatedly that it was cynical and rejected hope. He didn’t want to believe it, because he believed in his ideals. And he still does, but he no longer has the same level of faith that humanity can come to embrace his idealism too. He hasn’t entirely lost faith, but he’s struggling with it, and with the decision about how to respond. When Lois says the “S” is a symbol of hope to people, Superman replies, “It was on my world… but my world doesn’t exist anymore,” and he’s not simply talking about Krypton. He’s talking about the world he knew right here, the world as he saw it, the world he chose to have faith in during the film Man of Steel (a significant recurring theme)

The question is simple: will the cynical world change him, or will he change the cynical world (the way Batman was changed by it, remember)?

Clark leaves, to think and explore his own heart and worldview. A Superman forced to confront his idealism amid a cynical world is not an abandonment of the traditional characterization, it is a reinforcement of it. It shows that yes, Superman can have his beliefs and idealism challenged, and in the end even in the face of a world that doesn’t want to change Superman will refuse to give up on us. In Batman v Superman, he wonders about the consequences of his actions and whether it is possible to stand for absolute good when the outcomes can often inevitably created complicated side effects.


When Clark sees his human father, Jonathan Kent, we get a story about how faced with a rising flood threatening to wipe out the family, Jonathan helped dig a trench and block the floodwater’s path. He was a hero for those actions, he saved the family farm, but the digging redirected the floodwater to another farm and destroyed it. Remember that this is in Clark’s mind and memory, so when he asks his father if he ever got over the bad dreams about the unintended consequences, Clark already knows the answer, because this conversation is all about Clark talking to himself. His father says yes, he was able to live with the consequences of his actions because he found faith again when he met Martha.

What is this about? It’s pretty straightforward, really — Jonathan couldn’t refuse to act, to save his family, and he did so without any expectation that saving his family would create a flood of action elsewhere that harmed other people. The flood did that damage, not Jonathan, and all he could do – all any of us can do — is act to do good and save people when we see it. If we know possible consequences, then we must think through our actions and make sure to consider those consequences and how to either divert them or live with them and continue having faith. Love, and having a life to live that shows us why we must act to do good, helps us have faith in ourselves and in the world. Because however dark the world becomes, however hard it can be to accept consequences of our actions when we know we’re doing the right thing but the world will blame us for it, we can have someone who makes it all worthwhile, someone who represents the good we know exists in this world. And that good is always, always worth fighting for.

Superman knows he cannot give up, knows he must always act and use his powers for good, and knows that Lois is the love of his life and represents all of the people who do look to him as a symbol of hope and goodness in the world. It is a simple message, but it resonates as clearly to me as anything in the film. So he comes back, and his return coincides with Lex putting his final evil scheme into motion. Lois is thrown off the building, but Superman is already back in town and saves her. He has come back, and immediately his choice to return presents him with a final challenge to his idealism — his mother will die unless he kills Batman.


It seems an impossible choice, and he remarks that no one stays good in this world, but this is clearly not literal since we see his true intention is to convince Batman to help him. He never tries to kill Batman, making it clear by literally saying it out-loud. In the end, he will die trying to convince Batman to help save Martha, rather than do Lex Luthor’s bidding and murder a hero he (Superman) has finally come to understand as a good man being corrupted by a cynical world (something Superman has been struggling with himself, which is why he now understands Batman).

Batman’s arc is that he finally is able to see Superman for who he is, as a man with a name and someone he loves and a mother he cares about. It’s one thing to objectively know that a living being has parents and an identity they use day to day, but that doesn’t mean we perceive them as a true person with whom we sympathize and empathize. Batman couldn’t see Superman that way, because of all of the pain and fear and sense of helplessness obscuring his vision. That was stripped away in that moment when he had to cross the final line and kill Superman — standing over Superman, ready to deliver the fatal blow, Batman tells himself, “You were never even a man,” a means of justifying the act. But instead, he stares down at a Superman rendered mortal and vulnerable, a man who’s final words are a plea to save a mother, and the words, “Save Martha,” resonate in Batman’s brain for obvious reasons (it is his own mother’s name).

That moment of confusion forces Batman to instantly relive his mother’s death, to feel that helplessness again for the ten thousandth or millionth time, and then the confusion gives way to realization and understanding that Superman is indeed just a man with a life and a mother he is trying to protect, and Batman’s world comes crashing down. He now knows that yes, he was the villain, he was another “good person” who didn’t stay that way. He was standing astride a man who represented hope and goodness, blaming that man for all of humanity’s failings and cynicism and hopelessness.


It’s quite a thing to look into a mirror and see your greatest enemy staring back at you. That, it turns out, was Batman’s true greatest fear, that instead of becoming a symbol to change the world, he had become another good person corrupted by that world instead. Now he knew it, without a doubt, and it almost drove him to murder a hero. Batman had to chose, in that moment, between continuing to be cynical and reject hope, or to have faith again and believe — having faith is something he hadn’t done in a long time, obviously, but here now is a small bit of hope to cling to, a lifeline, and he grabs it.

Superman and Batman have come full circle now, two heroes embracing hope, having faith that good will triumph over evil, and committing to fight for that idealism. Superman gives his life for it, dying for this world because he had faith we were worth the sacrifice — a powerful absolute force of good dying for a flawed world, to try to save us from ourselves (which is what Luthor of course represents, the side of the coin where we cannot be redeemed, versus Batman as the side that can be redeemed).

Thus if Man of Steel was very much mindful of Superman’s roots in Jewish religious history and the story of Moses (and the parallels are pretty clear, as they were in Superman’s actual comic book origins and history), Batman v Superman brings the character into the more common modern representation as a messianic Christ-figure. (This is, by the way, one of many examples of how Snyder’s Superman movies provide an overarching representation of Superman’s history and changes in comics over the decades, a point I touch on in my article about why Superman killing in Man of Steel was not unfaithful to the character.)


Batman v Superman isn’t mocking Superman’s idealism, it depends on it and uses it as the thematic basis for redeeming Batman and the entire world, and for leading us to the creation of the Justice League. The cynicism is intentionally framed as the world’s rejection of Superman, representing the modern real-life arguments about whether Superman is relevant and relatable to our real world, and the claims by a lot of people that Superman can’t be interesting because of his goodness and idealism. Batman v Superman argues that in a world with so few good guys who remain good, with so many reasons to give up and stop having faith, Superman’s idealism is more important than ever, more relevant than ever.

Batman doesn’t brand Lex Luthor in the end, notice. It’s a small thing, but it’s a hint that he is trying to change, trying to get back to being the man he used to be. He’s not there yet, granted, and he’s struggling with it, but he sees what must be done and his cynical distrust of superhumans is giving way to a willingness to reach out to them and ask them to help defend humanity by working together for the greater good Superman represented.

Zack Snyder honors Superman’s history and legacy in this film, by having the goodness and idealism of Superman dominant as an idea debated and argued throughout the story, until ultimately that idealism and goodness are what saves the world and becomes a great sacrifice to convince us all to have hope and faith again. Batman and the other heroes will be inspired by that goodness, that idealism, that sacrifice, and eventually Superman will of course return to life and join the other heroes.

Anyone arguing that these themes don’t exist, that Batman v Superman fails Superman, and that Zack Snyder “hates Superman” are simply not paying enough attention and are ignoring the most important and clearest narrative arc in the entire movie. It’s not coincidence that these scenes, this dialogue, and this overarching connectivity exists, nor that the characters’ arcs mirror one another, comparable and contrasting at different moments. I think a large part of the disconnect some reviewers and viewers feel toward this film arises directly from the fact the film presents interpretations and incarnations that don’t directly fit into any single purist preference for “the right way” to portray them. If you have only one Superman or one Batman you like, and/or if your conception of them lacks room for the other many interpretations over the decades, and/or if you are opposed to seeing a cinematic adaptation that actually attempts to reflect MANY eras and approaches to these characters, then that’s frankly going to affect your viewing experience and your opinion of this film.

Which is of course fine, since everyone is entitled to their opinion and to their preferences. No one preference is better than another, and we shouldn’t defend this film in a way that claims other people’s preferences and views are “wrong” or “not true fans” and so on. But what we can say, and what I think we in fact MUST say, is that this film’s interpretation and approach are likewise as valid as any other, are faithful to the comics, and do have deeper themes and characterization that give lie to any simplistic claim that it “hates” Superman or lacks substantive examination and representation of what Batman and Superman stand for.

These things exist in the film, they are important to understanding it, and Zack Snyder and the writers took pains to present this story and provide those themes. And any serious assessment of the film should recognize this, and address it, otherwise those reviews and assessments are quite frankly shallow in their examination and very mistaken in their conclusions.
 
great piece and analysis of the movie but the movie failed to concretely touch on these, especially as Lex was concerned. Perhaps scenes of his father brutalizing him when he was a kid while Metropolis praised his father would have made the point.
 
great piece and analysis of the movie but the movie failed to concretely touch on these, especially as Lex was concerned. Perhaps scenes of his father brutalizing him when he was a kid while Metropolis praised his father would have made the point.

Fair enough. It IS a packed movie that encourages repeat viewings. Personally I got everything, on my second viewing, I caught more.

If people were Disappointed with the movie, that's a fair assessment. To straight up call it garbage is baffling.
 
Fair enough. It IS a packed movie that encourages repeat viewings. Personally I got everything, on my second viewing, I caught more.

If people were Disappointed with the movie, that's a fair assessment. To straight up call it garbage is baffling.

Same here. Already liked it after the first viewing, liked it even more after the second.

It was a tightly packed movie and crammed a lot into 2 1/2 hours, but everything the author of that article mentioned, I was able to glean from the film.
 
A nice figure indeed. The MoS line in my opinion is one of HT's best.

However, as others have mentioned, Superman in today's market just isn't very popular to begin with. So you're already right off the bat at a disadvantage. Two, MoS essentially divided whatever Superman fans there are in half; you either absolutely loved the film and were accepting of a new interpretation, or you utterly detested it because you're adamant that the only Superman is Christopher Reeve and nobody else. So from there, further divide whatever Superman fans there are in half and those are generally the ones that are at least going to show an interest in MoS figures (which also by the way doesn't necessarily mean they will by default buy them).

This is such utter crap and I'm sick of seeing it. Even Snyder himself has the nerve to just dismiss fans who don't like his Superman as people who can't get over Reeve, when it's just the furthest thing from the truth.
 
This is such utter crap and I'm sick of seeing it. Even Snyder himself has the nerve to just dismiss fans who don't like his Superman as people who can't get over Reeve, when it's just the furthest thing from the truth.

True, poor choice of words on my part, as that's not the absolute reason. I should have said "generally", as based on what I've seen, that seems to be a prevailing reason.

Myself, I love both adaptations. I actually watched a couple of Christopher Reeve films last week.
 
This is such utter crap and I'm sick of seeing it. Even Snyder himself has the nerve to just dismiss fans who don't like his Superman as people who can't get over Reeve, when it's just the furthest thing from the truth.

It's not supernatural to repeat that sentiment considering how EVERY cinematic incarnation of superman has been compared to reeve. Hell there were articles, reviews and comments from forum members complaining snyders superman is nothing like him. How about people that actually said "bring back the Williams score"?

It may not be an ongoing narrative all the time, but it sure as hell comes up often.
 
It's not supernatural to repeat that sentiment considering how EVERY cinematic incarnation of superman has been compared to reeve. Hell there were articles, reviews and comments from forum members complaining snyders superman is nothing like him. How about people that actually said "bring back the Williams score"?

It may not be an ongoing narrative all the time, but it sure as hell comes up often.

I think the fact that the director himself has latched on to it as the reason why people don't like his Superman is what irks me the most about it. It's like he can't wrap his head around the fact that some of his choices might be just the slightest bit controversial, and it's not just because people can't let go of Reeve.
 
True, poor choice of words on my part, as that's not the absolute reason. I should have said "generally", as based on what I've seen, that seems to be a prevailing reason.

Myself, I love both adaptations. I actually watched a couple of Christopher Reeve films last week.

Sorry, didn't mean to jump on ya or come off as rude if I did. It's just one thing I keep seeing that really grinds my gears.
 
Sorry, didn't mean to jump on ya or come off as rude if I did. It's just one thing I keep seeing that really grinds my gears.

No worries. :duff

I think the fact that the director himself has latched on to it as the reason why people don't like his Superman is what irks me the most about it. It's like he can't wrap his head around the fact that some of his choices might be just the slightest bit controversial and it's not just because people can't let go of Reeve.

I completely get what you're saying here and how it could come off as arrogant, but then again, who are the ones that determine what are the "wrong" and "right" decisions to do with a particular character in a different iteration, and based on what? The fans? And based on previous renditions of that particular character? Sometimes, what fans consider to be "controversial" or "wrong" is based on what they feel in their mind is the "right" and the "wrong" way to portray a certain character, and conversely, it's often measured up to one particular previous rendition of that character that in their mind is the end all, be all "right" way to approach that character. So therefore, they feel that version is the blueprint for all future renditions and anything that deviates is "wrong".

I think that could potentially be part of the reason why with a lot of the current Marvel films, you don't see the same kind of scrutiny. Unlike Superman and Batman who have collectively had numerous big time portrayals on the big screen, there hasn't been a whole lot of previous well known and widely respected versions of Marvel characters in film in which to compare these current versions to. With the exceptions of a few extremely campy renditions of Captain America and Hulk (which frankly don't even compare to this current portrayal), there's been no Thor, no Iron Man, etc. Any future versions of these characters are going to be held under a microscope to see how they measure up to these current versions and if they deviate at all in the slightest, will probably face a lot of backlash also.
 
I think the fact that the director himself has latched on to it as the reason why people don't like his Superman is what irks me the most about it. It's like he can't wrap his head around the fact that some of his choices might be just the slightest bit controversial, and it's not just because people can't let go of Reeve.

Well like I said, the one thing most vocal detractors of his superman continually use as a crutch is "not like reeve, so not my superman"...once again, no surprise why he would say something like that...there's no reason why he shouldn't speak his mind. Could he have been more diplomatic? Sure. But They're gonna hate him no matter what. his opinion as well as the choices he makes in his films don't make his superman any less valid.
 
I think the fact that the director himself has latched on to it as the reason why people don't like his Superman is what irks me the most about it. It's like he can't wrap his head around the fact that some of his choices might be just the slightest bit controversial, and it's not just because people can't let go of Reeve.
Cavill can be a great Superman, the shining man of tomorrow the world needs... Just not under Snyder's direction. I liked MOS quite a bit but I was sorely disappointed in BvS.

I'm looking forward to the DCU films NOT directed by Snyder.
 
No worries. :duff



I completely get what you're saying here and how it could come off as arrogant, but then again, who are the ones that determine what are the "wrong" and "right" decisions to do with a particular character in a different iteration, and based on what? The fans? And based on previous renditions of that particular character? Sometimes, what fans consider to be "controversial" or "wrong" is based on what they feel in their mind is the "right" and the "wrong" way to portray a certain character, and conversely, it's often measured up to one particular previous rendition of that character that in their mind is the end all, be all "right" way to approach that character. So therefore, they feel that version is the blueprint for all future renditions and anything that deviates is "wrong".

I think that could potentially be part of the reason why with a lot of the current Marvel films, you don't see the same kind of scrutiny. Unlike Superman and Batman who have collectively had numerous big time portrayals on the big screen, there hasn't been a whole lot of previous well known and widely respected versions of Marvel characters in film in which to compare these current versions to. With the exceptions of a few extremely campy renditions of Captain America and Hulk (which frankly don't even compare to this current portrayal), there's been no Thor, no Iron Man, etc. Any future versions of these characters are going to be held under a microscope to see how they measure up to these current versions and if they deviate at all in the slightest, will probably face a lot of backlash also.

Well, it seems like for the past 20 years or so whenever someone was trying to make a Superman movie there's been this idea that he's a hard character to do. That he's broken. He's the boy scout. He's too good. He's this. He's that. So I think that suggests that there is some consensus out there as to who the character is and what he's about. However, anytime someone has come along to try and make a movie about him I think right off the bat they've been looking to change him because they see him as a flawed character that no one relates to, and that they have to "fix" him. Snyder is no different. Before he got the gig for MOS I remember an interview with him where he was asked about the possibility of directing a Superman movie and he said he wasn't sure how to approach the material and make a movie for modern audiences. Of course Nolan and Goyer came along with their pitch and the rest is history, but I don't think that pitch was "Here's how to make a Superman movie for modern audiences." It was more, "Here's how to change Superman to appeal to modern audiences."
 
This is such utter crap and I'm sick of seeing it. Even Snyder himself has the nerve to just dismiss fans who don't like his Superman as people who can't get over Reeve, when it's just the furthest thing from the truth.


It's is true though. It's not maybe the only reason, but it's the general reason why.
And if they don't name reeve, it's still implied that it should have been more like his superman, the Cheery happy go lucky good guy.
After the movie Superman returns and before MOS, I read many articles about how hard it actually is to make a superman movie.
First off, it's hard to put him in any danger unlike other heroes. The guy is a god. Then, his character is not as complex as batman.
That is the main reason they even killed him off in the comics. He was losing his popularity to anti-heroes.

Well, it seems like for the past 20 years or so whenever someone was trying to make a Superman movie there's been this idea that he's a hard character to do. That he's broken. He's the boy scout. He's too good. He's this. He's that. So I think that suggests that there is some consensus out there as to who the character is and what he's about. However, anytime someone has come along to try and make a movie about him I think right off the bat they've been looking to change him because they see him as a flawed character that no one relates to, and that they have to "fix" him. Snyder is no different. Before he got the gig for MOS I remember an interview with him where he was asked about the possibility of directing a Superman movie and he said he wasn't sure how to approach the material and make a movie for modern audiences. Of course Nolan and Goyer came along with their pitch and the rest is history, but I don't think that pitch was "Here's how to make a Superman movie for modern audiences." It was more, "Here's how to change Superman to appeal to modern audiences."


I've said these many times, one of the things I love about Snyder is the man has huge balls.
He didn't take the safe route in making mos and BvS.
The safe route would have been the cheerful superman we've all come to love. The safe route is not to kill off your one of your main hero. how can you kill off the leader of the justice league?

He didn't take the safe route and used the always smiling, just plain ol big blue boys scout.
Instead he put him in a real world scenario where some of your actions can have consequence.
Instead of like reeve superman who just shows up to save Lois from helicopter scene and everyone just accepts it and claps and all smiles...BvS shows us that thousands of people still died cause of his fight, and many people are also afraid of him.

Let me give you a example of an easy route Snyder could have taken.
The African terrorist. The safe route would have been superman flying super speed grabbing a steel beem, wrapping it around the terrorist, all is well and superman smiles at Lois.
Snyder approach. Snyder mentions he tries to take the real world approach.
I got impression he modeled that terrorist after Nigerian boka haram. The terrorist whose been beheading his victims and kidnapped all those young girls.
Picture you as superman, you have all these powers, boka is pointing a gun at the person you the love most.
Let me make this scenario more relatable, boka haram is pointing a gun at your wife, or sister, your mother, etc.
Are you gonna wrap steel beems around him or would you smash him againt the wall?
his action doesn't seem to be bad anymore is it?

The problem with superman is if you take the safe route, you will also have people who'll say, he's meh. Many people have said that his character is just sometimes too boring compared to anti heroes.

What I applaud about Snyder is that he didn't make superman into an anti hero to make him cooler, but he put him in a situation where superman's approach may be uncharateristic of his persona.
Zod is battling him to the death, he left him no choice...superman ultimately had to kill Zod...seeing him in that action is shocking because we're used to superman just defeating the bad guys in the end and Doesn't have to resort to killing anyone. To some people, it makes him look un-Superman like.

But the good man is still there. It's just that Snyder doesn't take the safe route in making the movie.
Say what you will, i know by Snyder pushing things constantly, it won't work for everybody. But I commend the guy cause he has BIG BIG kahunas.
 
It's is true though. It's not maybe the only reason, but it's the general reason why.
And if they don't name reeve, it's still implied that it should have been more like his superman, the Cheery happy go lucky good guy.
After the movie Superman returns and before MOS, I read many articles about how hard it actually is to make a superman movie.
First off, it's hard to put him in any danger unlike other heroes. The guy is a god. Then, his character is not as complex as batman.
That is the main reason they even killed him off in the comics. He was losing his popularity to anti-heroes.




I've said these many times, one of the things I love about Snyder is the man has huge balls.
He didn't take the safe route in making mos and BvS.
The safe route would have been the cheerful superman we've all come to love. The safe route is not to kill off your one of your main hero. how can you kill off the leader of the justice league?

He didn't take the safe route and used the always smiling, just plain ol big blue boys scout.
Instead he put him in a real world scenario where some of your actions can have consequence.
Instead of like reeve superman who just shows up to save Lois from helicopter scene and everyone just accepts it and claps and all smiles...BvS shows us that thousands of people still died cause of his fight, and many people are also afraid of him.

Let me give you a example of an easy route Snyder could have taken.
The African terrorist. The safe route would have been superman flying super speed grabbing a steel beem, wrapping it around the terrorist, all is well and superman smiles at Lois.
Snyder approach. Snyder mentions he tries to take the real world approach.
I got impression he modeled that terrorist after Nigerian boka haram. The terrorist whose been beheading his victims and kidnapped all those young girls.
Picture you as superman, you have all these powers, boka is pointing a gun at the person you the love most.
Let me make this scenario more relatable, boka haram is pointing a gun at your wife, or sister, your mother, etc.
Are you gonna wrap steel beems around him or would you smash him againt the wall?
his action doesn't seem to be bad anymore is it?

The problem with superman is if you take the safe route, you will also have people who'll say, he's meh. Many people have said that his character is just sometimes too boring compared to anti heroes.

What I applaud about Snyder is that he didn't make superman into an anti hero to make him cooler, but he put him in a situation where superman's approach may be uncharateristic of his persona.
Zod is battling him to the death, he left him no choice...superman ultimately had to kill Zod...seeing him in that action is shocking because we're used to superman just defeating the bad guys in the end and Doesn't have to resort to killing anyone. To some people, it makes him look un-Superman like.

But the good man is still there. It's just that Snyder doesn't take the safe route in making the movie.
Say what you will, i know by Snyder pushing things constantly, it won't work for everybody. But I commend the guy cause he has BIG BIG kahunas.

Well said. My sentiments as well.

And glad to see I'm not the only one who got that impression on who that African terrorist was modeled after. Great analogies also.
 
So, is the implication that Superman killed the terrorist? If so, then what moral high ground does he have on Batman for the rest of the film? Also, what happened to Goyer and Snyder's moronic explanation that Superman killing Zod is what was supposed to bring about his no killing rule?
 
Well said. My sentiments as well.

And glad to see I'm not the only one who got that impression on who that African terrorist was modeled after. Great analogies also.

Thanks man.
I really love that terrorist scene. I Remember even someone close to my seat say out loud "*******"!!! After superman smashed him through the wall.
Definitely was unexpected. bad ass scene though.
 
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