Good points all. Though in my mind at least, the x-wing thing got solved with your idea. It was like a band-aid that stretches right over that aspect/part.
These are kind of fascinating discussions because it brings up questions of what defines Star Wars - like do you need a young Luke-type hero, and a dastardly black-clad villain with red saber, and a bearded old wise man, a superweapon, and a wider war with underdogs vs the massive army... in order for it to be SW (even beyond the expected basics of interplanetary locales, SW tech, etc. etc)? I guess you do. Maybe there's a fear if you don't you lose that essence - or audience expectation. And at what point does "homage" or "nods" turn into a rip-off - like the ROTJ throne room vs Snoke ship part you mention?
I really hope they do another Rogue One-type story, because that idea of grafting onto the OT (the BTTF2 idea of characters on an adventure in close proximity to story we know well) seems to have worked out the very best out of EVERYTHING post-OT. RO "felt" more like a SW movie than the ST and the PT combined, but the failure of Solo has likely sunk the prospect of a "adventure set in the week before ESB" type movie, and it also creates the "lack of recognizable/repeatable main characters" issue.
It's amazing how much HT messed up the TFA Luke boots - I think all of them are supposed to be some variation on his ANH boots, yet the ones they did for the TFA fig looked awful.
Cmon - not really fair. Hamill isn't Ford. He doesn't have a fleet of planes and a likely half a billion in the bank. Hamill needs acting work, or... work... and Luke is his only shot at a major payday. If he was close to Ford, in terms of wealth and/or career, I'd buy your argument. But it's just lame to suggest a guy who doesn't have a career and presumably has a bank balance that reflects that would just give the middle finger to Disney and walk away.
RJ had a pretty wide range of options to operate under for TLJ and he created what he did. To say that one of the actors who was brought into bring it to life should share the blame is kinda out there in terms of logic. Hamill may be an asset to the SW brand, but he's not someone whose word Disney would listen to.
This is complete nonsense.
What the??? What? I have no fathomable idea what logic you're applying to your argument?
You profess to know Hamill personally, which leads me to believe you work in the industry in some way? If you do, you must be working in a different industry than me, because nothing you've stated makes any sense whatsoever. Hamill is no Ford, regardless of how much money he makes "off these films." Ford is one of the biggest super-stars that has ever lived - AND - he wouldn't have done it (TFA) if they hadn't have let him (Solo) die. Hamill disagreed with RJ's depiction of Luke, stated it, but moved forward as a professional, trusting the director to make it work. Unless the actors are rookies, desperate for a "break," they will always question the director to ensure they are in good hands, and have their full trust in their abilities and vision. And sometimes they don't get the vision, but trust the director to pull it off. Sometimes that pays off, and sometimes it doesn't - particularly if you are trying something different (which is exactly what RJ did).
Also, the whole system works on a tier basis. There's basically an unwritten equation that is used based on what they think the actor, directed, etc is worth (dollar value return). And I can tell you, Hamill isn't worth squat to a distributor (as anything other than Skywalker). Ford, however... and even then, his value isn't what it once was.
Furthermore, no one needs to "attack" everyone else involved in the film - as you said, they are just doing a job. RJ wrote and directed it. The buck stops with him, and the producers. Poor Kelly Marie Tran isn't a bad actor, she just had a poorly written character (as did everyone else in the film). Domhnall Gleeson is a masterful actor, but a complete embarrassment in TLJ - but that's not his fault, clearly it was the script, and the way he was directed.
As RJ stated in his own defense, it's his story, his film. So he needs to grow up and wear the criticism, because if you want to play in this arena, this is what happens. Not everyone will not like a film; look at Avatar, the highest grossing film worldwide (nearly 3 billion) and there's many people that don't like it.
I do not know him personally, but I have met him.
Hamill is not an innocent here...no mater what the fans think. He got paid for TLJ, and had a hand in creating it good or bad. He got paid for that part...and (IMO) did a great job. But no film is a one person show. Granted the writer and director are the main showmen, but the actors do have power, especially Hamill. If anyone could have used his influence and power to change things , Hamill would have been it. Disney would not have gone forward with these films without him. The COULD have done it without Ford or even Fischer, but not Hamill.
This puts him in a unique position to have influenced the film in any way he would have wanted, but he accepted the script, and did a fine job acting what it said.
If he HAD real concerns about what was being done, he could have easily flexed his muscles and had influence. He did not.
Again, my main point is Hamill is not the victim here, as people profess....he is part of the film, and therefore should be a focus of all the nerd rage also. The fact is , even if he had written TLJ, the fans would never crucify him at they have with RJ. Its all part of the "Hero Worship" he gets as an actor. I am just as guilty as most. But Hamill could have used his influence to change things, probably more that Ford did....
But the payday was too good for him, and he didn't want to blow it. And again, I do not blame him.
Perhaps this conversation should move to the IX thread? Its clogging up this one....