Centurion
Super Freak
Crap, there goes my hope for a Godzilla Beverly Hills Cop type movie.
Well, you can still enjoy the Godzilla NYPD-type movie:
Crap, there goes my hope for a Godzilla Beverly Hills Cop type movie.
Crap, there goes my hope for a Godzilla Beverly Hills Cop type movie.
I say make a maquette of the Empire cover and call it a day, great pose.
SS got the pose down already
I say make a maquette of the Empire cover and call it a day, great pose.
SS got the pose down already
You'll have to settle for an Austin Powers - Godzilla crossover.
SS got the pose down already
Curious to find out why they though Godzilla would look cool with his arms hanging down at his sides like that.
It is truly the one thing that drives me crazy about this new design.
I thought it looked odd at first, but it looks like they've taken that look from the way a crocodile holds it's arms underwater. If you take a closer look at Godzilla's new look, he's pretty much just a giant croc with a shorter snout. I'm interested in seeing how they explain his existence/history in the movie. I think the new look is a prefect mix of staying true to the original, yet designed well enough to make it "believable". As believable as a giant, atomic, monster can be I guess.
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In no particular order, for me it's:
- JAWS
- Rambo
- Gojira
- Rocky Balboa
- Terminator 2
- Aliens
- Pirates of the Caribbean
- Halloween
- Wrath of Khan
- Batman 89
Not me:
Warner Bros' Godzilla presentation at CinemaCon gave us a peek into the human story behind the monster story. It also gave us lots and lots of disturbing destruction, including a devestating tsunami that kills hundreds as Godzilla wades to shore on some South Pacific island.
It turns out that Bryan Cranston is an engineer at a nuclear power plant, where he works with his wife, Juliette Binoche. It seems like a normal day... until a strange seismic event shakes everything and a meltdown begins, and Binoche is right in the middle of it. Cranston runs down to the evacuating area only to see a radioactive cloud rushing at him. He knows his wife is still in there, but he has to slam shut a containment door or risk contaminating everything. She comes running to the window of the door just as further steel doors close, cutting them off and leaving her to die. The nuke plant goes on to completely collapse.
But Cranston knows that the seismic event wasn't an accident or an act of god. He knows something else was behind it, and that drives him as Godzilla begins to attack coastal cities.
The scope of the footage is impressive; the scale of the destruction is actually upsetting. It's interesting to see Gareth Edwards' approach to this - there's no disaster porn on display. Every bit of destruction is felt, not cheered on. This makes Godzilla appear to have a really strange tone for a blockbuster summer release.
Not me:
Warner Bros' Godzilla presentation at CinemaCon gave us a peek into the human story behind the monster story. It also gave us lots and lots of disturbing destruction, including a devestating tsunami that kills hundreds as Godzilla wades to shore on some South Pacific island.
It turns out that Bryan Cranston is an engineer at a nuclear power plant, where he works with his wife, Juliette Binoche. It seems like a normal day... until a strange seismic event shakes everything and a meltdown begins, and Binoche is right in the middle of it. Cranston runs down to the evacuating area only to see a radioactive cloud rushing at him. He knows his wife is still in there, but he has to slam shut a containment door or risk contaminating everything. She comes running to the window of the door just as further steel doors close, cutting them off and leaving her to die. The nuke plant goes on to completely collapse.
But Cranston knows that the seismic event wasn't an accident or an act of god. He knows something else was behind it, and that drives him as Godzilla begins to attack coastal cities.
The scope of the footage is impressive; the scale of the destruction is actually upsetting. It's interesting to see Gareth Edwards' approach to this - there's no disaster porn on display. Every bit of destruction is felt, not cheered on. This makes Godzilla appear to have a really strange tone for a blockbuster summer release.
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