that gives me an idea - everybody who doesn't like these should all email neca and ask them why their $15 figures aren't perfect. then, post neca's responses. i'm dying to see it.
Way I see it, you just accept things as they
are today and/or have just given up that any improvement is possible in todays economy, whereas many of us others are a bit more ambitious/hopeful - we think $15 dollars
should buy you more. Sorry.

At the very least it should buy you a figure that doesn't snap in half as soon as you attempt to move one of the joints. Unless its free quite frankly any money you spend should get you that, a figure that does not break under no more force than it is expected
by the manufacturer to be given (otherwise they'd just make these things statues, there'd be
no articulation). Even Tankman agreed with that. Having to heat them up may be the reality but why
should it be. Tankman himself said that its ridiculous.

Again you're just accepting what
is and seem to be quite proud of that but sorry most other people think its absurd and shouldn't be necessary.
As to the paint - frustrations stem from the fact that other figures of this type, by McFarlane in the past and even some relatively recent NECAs seem to have decent paintjobs - not all, you did prove that in a previous discussion, but some - the Conan figure I keep mentioning (whose eyes in particular, generally a tough thing to paint at this scale, look unbelievably good) and CelticP said there was a great Freddy figure. So....why can't that be repeated on the Terminator lines? Why so comparatively shoddy? Why is the unmasked P2 looking like it is? Good paint at this scale
is possible...it just isn't happening on these particular lines at this particular time and rightly or wrongly we are frustrated by that precisely because the sculpts are so good, they really deserve better.
I don't expect to convince you any more than you'll convince me but whatever, passing the time in work.