‘The Last Jedi’ Doesn’t Care What You Think About ‘Star Wars’ – And That’s Why It’s Great
with Star Wars: The Last Jedi, director Rian Johnson wants to burn Star Wars to the ground. Not because he harbors ill will toward it, but because he loves it. He loves it so much that he wants to cleanse the garden and allow something fresh and new to grow. The Last Jedi is not concerned about what you, the moviegoer and fan, thinks about Star Wars. It wants to challenge you and make you question what Star Wars is and what it can be
Star Wars: The Force Awakens concludes with one helluva cliffhanger. The Force-sensitive Rey arrives on the planet Ahch-To, tracks down the elusive Jedi master Luke Skywalker, and offers him his long-lost lightsaber. Luke’s face flashes with a dozen different emotions. You can practically feel the words crawling up his throat. And then the film ends, to be continued in two years. It’s a grand moment. An epic moment. A perfect finale for a film built out of questions and mysteries, a film about legacies and the shadows they leave behind.
And when we return to that scene in Star Wars: The Last Jedi, Luke Skwalker accepts the lightsaber from Rey, examines it for a hot second, and casually tosses it over his shoulder. From its opening scenes, The Last Jedi makes it very clear where it stands – everything you thought this movie was going to be is incorrect. The symbols you hold dear, the symbols that J.J. Abrams held so dear in your stead, are being deliberately stripped of their power. If that shakes you, if that upsets you…well, that’s just Rian Johnson preparing you for what’s next. Abrams left him with an ellipsis, a “to be continued” that felt like a specific path. And Johnson takes a hard left turn in his land speeder, breaks through a fence, and goes off track into the wilderness.
Star Wars has gone off the rails. Either you’re going to be on board for the bumpy ride to a new place or you’re not. But the intentions are made early and they’re made perfectly clear.
Mark Hamill famously disagreed with Johnson on the direction of Luke Skywalker when he first read the screenplay for The Last Jedi, and it’s clear why. Luke, the farm boy who became a war hero who became a warrior knight who became his father’s savior, has fallen into disgrace. While The Force Awakens featured a Han Solo falling back into his old scoundrel ways (a position of comfort for those worried about a watered-down take on a character who was at his best when he wasn’t playing nice), The Last Jedi features a Luke Skywalker that is unlike anything we’ve seen before – a broken shell of a man who believes that everything he fought for and achieved was for naught. By telling young Rey that none of this matters, he’s also telling the audience the same thing. The stuff you love? The details that have reshaped pop culture and created a geek language that everyone speaks? Yeah, they’re wonky. Or rather, they’re broken. Your faith was flawed.
Luke’s hopelessness is especially affecting because the film is clearly on his side. This is not a movie where a plucky young Jedi-to-be shows up at the old master’s doorstep and teaches him how to hope again. This is a movie where a flawed old man with a lifetime of victories and regrets informs the decisions of a new generation of young heroes who need to find a new way to hope. Clearly, the old ways didn’t work because darkness rises again and there are still tyrannical man-babies trying to be the next Darth Vader. There’s a flaw in the system, buried too deep for most to see, and the only solution is to burn it all down.
The Force Awakens and Rogue One: A Star Wars Story want to please you. They want to hit familiar beats and remind you why you love Star Wars. They are so much fun. But The Last Jedi doesn’t want to remind you of anything. It doesn’t care about your relationship with Star Wars. The only relationship that matters here is Rian Johnson’s relationship with Star Wars, and for the first time in a long time, here is a Star Wars movie with a proper point of view, one delivered by a storyteller who is unafraid to shatter a universe he loves, to break down the heroes that mean so much to him. A wise and noble Luke is easy. A Luke with regrets? That’s hard. That’s tough to swallow. That’s what elevates The Last Jedi beyond a simple retread – it asks you to take these characters seriously in a way that other Star Wars films have not, to acknowledge them as something beyond a vessel for escapism. Star Wars can only matter in the long run if it’s given the room to grow. And right now, it feels like the sky is the limit. Right now, Star Wars feels…unsafe.
https://www.slashfilm.com/the-last-jedi-defense/
