Yes, this is a short advertisement for my channel, but for THIS I am super hyped and even A-Dev quit is long Facebook hiatus to acknowledge and like that post.
It still amazes me that it was his idea to kill John Connor like that, Mr ''I can't believe what they did to my Hicks and Newt
This franchise is so DONE. Cameron will soon admit it wasn't a wise move to do anymore films past T2. NO one can say this wasn't given plenty of chances with the public ?...do you see how little DF made???????? Wow.
I did indeed. I really couldn't not acknowledge that, good score for your channel.
Well, I'm sure you already have in mind to ask him about the complete T2 score and if it can ever be released in an official capacity - although I'm pretty happy with what Python Blue (was that the name of the youtube guy?) and you yourself did.
Other questions for him..hmmm...maybe ask him what he thinks of later Terminator scores, if indeed he listened to them. Marco Beltrami did T3, Danny Elfman did Salvation, Lorne Balfe did Genisys and Junkie XL did Dark Fate (wasn't sure about the last two, had to google)
And please relay our love and appreciation not just for the famous main title Terminator theme (the 2 versions of same, from T1 and T2) but also the individual themes for the T-800 in each film and the T-1000. They really set the tone well during the movies and don't get enough play in Terminator-related media.
This franchise is so DONE. Cameron will soon admit it wasn't a wise move to do anymore films past T2. NO one can say this wasn't given plenty of chances with the public ?...do you see how little DF made???????? Wow.
Here's Endosickness' interview with Brad Fiedel, very nicely done.
- I completely forgot he did the True Lies score. The main action theme always did stand out and yet for some reason I don't think I ever knew it was Fiedel.
- Regarding the big topic of interest as to why there has never been an official complete score released for T2 - it seems to be twofold
1) a composer chooses the music he deems to be the most important and which makes the most sense as a listening experience independent of the movie and
2) all the recutting and editing that Fiedel himself did not do, and maybe wasn't given a say in, meant that a complete score was never formally compiled in the first place
Even if 2 weren't a factor odds are Fiedel wouldn't have put every piece of music on the soundtrack CD anyway because of the repetitiveness he speaks of - what works in the movie doesn't always work well as a purely listening experience.
So I think I can understand what he was saying - he just underestimates, as he kinda admits himself, the degree to which the uberfans tie themselves to the movie when listening to the soundtrack. We really notice when something is missing or is out of the order we're familiar with in the movie because we're playing the movie in our heads - so for me if I'm listening to the official album and it goes to the main title theme straight away I can't help but think ''wait, hold up'' - I love the main theme as much as the next man but what about the bit at the very start where you see the busy highway and the kids in the playground before the nuclear flash? That's a great little tone-setting piece of music that has always resonated with me from my earliest viewings of the movie when I was a child.
I suppose I can figure out why it never made it onto the OS - because it's a short piece and chronologically in the movie the next bit of music is essentially the Pescadero Chase music with minor differences and Fiedel was saving that for later in the score so as not to have it be repetitive. So, what, do you just have the short opening piece and then immediately go to the main title theme? If I were to guess he probably felt the soundtrack album had to open with more of a bang and so you leave out the pre-judgment day cityscape track altogether.
Interesting that he brought up James Horner and the Aliens score - made me wonder if Cameron ever thought of Fiedel for Aliens. I've never heard one way or another. And with regard to the editing of his music that was out of his hands I wonder did he disagree with any of the decisions Cameron made.
At least Fiedel comes out of the Terminator franchise with legacy fully intact. Sounds like he hasn't watched the later movies and has no particular regrets about not being involved in them.
Those are my disjointed musings for now.
It's a bad sign when it doesn't even resemble him with the sunglasses on.
Enter your email address to join: