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For any that are interested, there are EIGHT Pixar 4K Steelbooks (Brave, Cars, Cars 2, Finding Dory, Finding Nemo, The Good Dinosaur, Inside Out, Ratatouille) coming out at Best Buy on 9/10. It looks like Disney is trying to push out as many of these as they can before Disney+ goes live.
 
For any that are interested, there are EIGHT Pixar 4K Steelbooks (Brave, Cars, Cars 2, Finding Dory, Finding Nemo, The Good Dinosaur, Inside Out, Ratatouille) coming out at Best Buy on 9/10. It looks like Disney is trying to push out as many of these as they can before Disney+ goes live.
That seems to be what they're doing. I saw that only about 4 MCU movies will be on DisneyPlus at launch, so maybe they try to give us that Infinity Saga box set I've been curious about.
 
That seems to be what they're doing. I saw that only about 4 MCU movies will be on DisneyPlus at launch, so maybe they try to give us that Infinity Saga box set I've been curious about.

Just 4 wow that’s pretty lame lol

Not for us we own them but many don’t so that sucks.


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https://www.blu-ray.com/news/?id=25468

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Lionsgate is following the two SteelBook release of HellBoy with two releases for John Wick 3...the already announced Best Buy one, and a SUPERIOR release from Target:

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Great News For An American Werewolf in London fans... Seems like the End all be all for this film.. Well until the 4K UHD is released.

New items not available with other releases in BOLD

Description

One of the greatest directors of the 1980s, John Landis (The Blues Brothers, Trading Places), expertly combines macabre horror with dark humor in the lycanthropic classic, An American Werewolf in London.

American tourists David (David Naughton) and Jack (Griffin Dunne) are savaged by an unidentified vicious animal whilst hiking on the Yorkshire Moors. David awakes in a London hospital to find his friend dead and his life in disarray. Retiring to the home of a beautiful nurse (Jenny Agutter, Walkabout) to recuperate, he soon experiences disturbing changes to his mind and body, undergoing a full-moon transformation that will unleash terror on the streets of the capital…

An American Werewolf in London had audiences howling with laughter and recoiling in terror upon its cinema release. Landis’ film has gone on to become one of the most important horror films of its decade, rightly lauded for its masterful set-pieces, uniquely unsettling atmosphere and Rick Bakers’ truly ground-breaking, Oscar-winning special makeup effects. Now restored in 4K, and presented with an abundance of extra features, this big beast of horror can be devoured as never before…

LIMITED EDITION CONTENTS

• New 2018 4K restoration from the original camera negative supervised by John Landis

• High Definition Blu-ray (1080p) presentation

Original uncompressed 1.0 mono and optional 5.1 DTS-HD Master Audio

• Optional subtitles for the deaf and hard of hearing

New audio commentary by Beware the Moon filmmaker Paul Davis

• Audio Commentary by Actors David Naughton and Griffin Dunne

Mark of The Beast: The Legacy of the Universal Werewolf, newly produced, feature-length documentary by filmmaker Daniel Griffith, featuring interviews with John Landis, David Naughton, Joe Dante and more

An American Filmmaker in London, a newly filmed interview with John Landis in which he reflects on his time working in Britain and British cinema

I Think He’s a Jew: The Werewolf’s Secret, new video essay by filmmaker Jon Spira (Elstree 1976) about how Landis’ film explores Jewish identity

The Werewolf’s Call, Corin Hardy, director of The Nun, chats with writer Simon Ward about their formative experiences with Landis’ film.

Wares of the Wolf, new featurette in which SFX artist Dan Martin and Tim Lawes of The Prop Store look at some of the original costumes and special effects artefacts from the film

• Beware the Moon, Paul Davis’ acclaimed, feature-length exploration of Landis’ film which boasts extensive cast and crew interviews

• Making An American Werewolf in London, a short archival featurette on the film’s production

• An Interview with John Landis, a lengthy archival interview with the director about the film

• Makeup Artist Rick Baker on An American Werewolf in London, the legendary make-up artist discusses his work on the film

• I Walked with a Werewolf, an archival interview with the make-up artist about Universal horror and its legacy of Wolfman films

• Casting of the Hand, archival footage from Rick Baker’s workshop as they cast David Naughton’s hand

• Outtakes

• Original trailers, teasers and radio spots

Extensive image gallery featuring over 200 stills, posters and other ephemera

Reversible sleeve featuring original poster art and artwork by Graham Humphreys

Double-sided fold-out poster

Six double-sided, postcard-sized lobby card reproductions

Limited 60-page booklet featuring new writing by Travis Crawford and Simon Ward, excerpts from archival interviews original reviews

AMERICAN_WEREWOLF_IN_LONDON_EXPLODED_PACK.jpg


 
Yup i’m always accepting of original release audio quality.

But i’m not buying no 1080p I don’t care what restorations were done lol


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Seems strange to go to the trouble of Landis supervising a brand new 4K transfer for them to then just put it on a 1080p disc.

I see a lot of horror titles doing this.. Especially when its Arrow... I guess they don't think there market for these type of films to be given the full 4k home video treatment.
Thought the same thing. 4K edition must be coming soon after.

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Not necessarily. There are other titles that have had the 4k restoration but only given the 1080p treatment.

Uncompressed 1.0 :rotfl


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snob. ;) :lol

Glorious Mono!

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I personally love when they give us a choice. JAWS' 2.0 track is a thousand times better then the remastered 5.1 track

Yup i’m always accepting of original release audio quality.

But i’m not buying no 1080p I don’t care what restorations were done lol


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Not buying 1080p?? You really are a snob :lol :lol :lol
 
I see a lot of horror titles doing this.. Especially when its Arrow... I guess they don't think there market for these type of films to be given the full 4k home video treatment.


Not necessarily. There are other titles that have had the 4k restoration but only given the 1080p treatment.



snob. ;) :lol



I personally love when they give us a choice. JAWS' 2.0 track is a thousand times better then the remastered 5.1 track



Not buying 1080p?? You really are a snob :lol :lol :lol

With audio I actually prefer the original release audio but video yes a snob lol


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That’s it boys we lost another one to streaming lol

Well at least JAWS is finally getting his 480p AWIL remastered in 8K.


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I see a lot of horror titles doing this.. Especially when its Arrow... I guess they don't think there market for these type of films to be given the full 4k home video treatment.


Not necessarily. There are other titles that have had the 4k restoration but only given the 1080p treatment.



snob. ;) [emoji38]



I personally love when they give us a choice. JAWS' 2.0 track is a thousand times better then the remastered 5.1 track



Not buying 1080p?? You really are a snob [emoji38] [emoji38] [emoji38]
The thing about that is, I'm much more excited to buy a 4K disc of a movie that was shot on actual film, rather than digitally.

Give me Star Wars and Empire, give me Raiders, give me Jaws, and yes, give me The Thing and AWIL. I'd buy all those without a moment's hesitation.

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When it comes to classic catalog titles I struggle perpetually with what exactly are the end results i’m looking for.

Modern movies by all means please make them sharp looking for me.

But do want my movies from the 1950’s to 1990’s to look pristine and super sharp or do I want them no sharper than 1080p or in some cases where sci-fi/horror is involved no sharper than 480p.

Do I want to preserve the low tech aesthetics from the era where they came from or do I need an authentic grindhouse kung fu movie to be 8K HDR to show details that were previously hidden?

Do I need Bill Murray’s Meatballs or My Bodyguard in era authentic 480p or modern 8K?

I don’t know lol




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