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Everyone I know agrees that the people we know DOES mean something.![]()
I agree.
Everyone I know agrees that the people we know DOES mean something.![]()
Yes, I know. The Budget was $247 million. Worldwide marketing was between $145-$160 million, actually... But it was offset by nearly $200 million from promotional partners (like Dr Pepper, Turkish Airlines, etc) who covered that cost. A *conservative* line item in the total budget (accounting for the exhibitors' take from ticket sales) had the film hitting profit somewhere between $550-$600 million worldwide (the range is wide because of differences in ticket sales margins in different countries). So let's say it ends up around $850 million in worldwide box office total (it's at $786 right now)... that would put the profit at about $250-$300. Again, that's before merchandising and home video is factored in later on.
So it wasn't a grand slam home run (The $1-2 billion range appears to be the benchmark these days), but they'll make a decent amount of coin. Also, two of the biggest promotional partners have just re-upped for Wonder Woman and Justice League. So they must feel they got enough out of this as well, which is also important to WB as they will help offset marketing costs again in the future.
Because I don't see us getting the kind of movies I loved growing up of this trend continues. Somebody might have a script for a movie that could be as impressionable for today's generation as Terminator or Back to the Future were on me, and a studio might pass on it because the project is deemed too risky.So in addition to making live-action Marvel, Star Wars, fairy tale, children's book AND movies based on rides you want them to also risk hundreds of millions on totally original properties? Why? What difference does it make whether Disney makes an original live-action movie vs. any other studio? And if they've had live-action flops since 2012 why would you hold it against them for not risking even more when they're already producing so many live-action flicks with their own properties? I'm just not getting the problem I guess.
I'm just so over CGI now even The BFG looks like another Warcraft to me. Just a generic fantasy film with obviously digital characters. The promise of 1993 just never really came to be and I wonder if it ever will. Here we are, 23 years later and still nothing looks significantly better than those first Park dinos. I don't mind a Gollum, Davy Jones, or even a Maz Kanata here and there but I just don't like the look of movies that feature humans interacting with digital characters from beginning to end. Don't even get me started on how uninteresting Avatar is to me now.
And completely digital environments. That's just as off-putting to me when it's throughout an entire film.
I've pretty much come to hate the current "system" of critical movie reviews. We were talking recently about how 20 years ago it was just the national critics (Siskel, Ebert, Shalit, Siegel, even that dope Maltin) and whoever your local newspaper reviewer was. And you could pretty much use whoever your favorite national reviewer was (mine was always Ebert) and then maybe your local guy and you became so familiar with what they liked compared to your preferences you could use their critiques as a barometer for what *you* might like.
Ebert was always great at saying things like "Batman Forever was all spectacle, had a really uneven pace the story jumped around, kids will probably like it more than adults but Kilmer, Carrey, and the visuals were still great. 2.5 out of 4 stars but I'm still giving it a thumbs up for the things it got right." Now all these damn algorithms and ratings charts would go "2.5 out of 4? Rotten. Everyone says that. 25%. Terrible movie."
We don't have a critic or two that we know by name that has some real insight on what we might enjoy as individuals. All that matters is the damn "score" that's a hodgepodge of hundreds upon hundreds of outright idiots. Total idiots are making or breaking films from a critical point of view when we only ever really need to listen to one, maybe two of them depending on who shares our tastes in film. Yes RT has "Top Critics" (which should be the ONLY ONES on the site if you ask me) but even those are too many and tend to yield to hive mentality with their averages as well.
No, really. I've seen a few people say the same thing here, but I didn't see anything ground breaking or different about BVS....as a summer film. Obviously having multiple popular heroes in the same film is new for WB, but not for other studios.
Truth hurts![]()
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Because it did not follow the Marvel crowed pleasing formula. It was dark, more serious, and attempted to have more plot deeper meaning then the usual Comic book movie. If you like the film you think they succeeded. If you thought less of the film then you probably just see a bunch of swings and misses.
I see we haven't yet gotten bored of DC fanboy VS Marvel fanboy, Rotten Tomato scores etc etc.
Here's how I see it:
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You haven't seen Giger's version, I assume?That's one of the nastiest things I've ever seen...
That's way less creepy than the real thing.You haven't seen Giger's version, I assume?[emoji38]
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You haven't seen Giger's version, I assume?
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You haven't seen Giger's version, I assume?
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That's way less creepy than the real thing.