Okay, now for the good stuff. Howard Hawks has been quoted as defining a great film as "having three great scenes and no bad ones." Here's the thing with BvS for me. It kind of has quite the list of "bad" scenes. Almost *ten* just on my own personal count (though admittedly a couple are minor nitpicks like the flight attendant knowing Diana's name.) But still, by Mr. Hawk's definition its bid to be a "great film" is blown out of the water by its flaws. However...while some of the flaws skirt dangerously close to "deal breaking" territory they never fully cross over IMO. And furthermore the "three great scenes" criteria is also kind of blown away by the fact that there are a LOT of great scenes. So if it didn't have the bad it would literally have been this cinematic triumph of a mindblowing level *just on the strength of the great scenes that are currently present.*
So I'm going to list a few:
1. I really like how the opening murder of the Waynes is staged, juxtaposed with Bruce's finding of the batcave, and scored. Just an all around artistic and well done opening.
2. And then segue into the attack on Metropolis. ANOTHER great sequence right from the get-go. Now I will say this which I'm sure some will take as a negative: The vehicle action on the ground does feel like it was directed by Michael Bay. Bruce speeding through Metropolis feels reminiscent of the Hummer chase through San Francisco in The Rock. The Batmobile chase with its perfectly clean, current model year SUV's and lens flares galore feels like that first Bumblebee/Barricade night time chase in the original Transformers. I *almost* expected the Batmobile to change shape and start chasing the Kryptonite on foot.
But I actually don't think that's bad! Just as Zack Snyder has some significant visual strengths so does Bay. And I kind of feel like the quiet moments of BvS have a bit of a David Fincher vibe (which is awesome) with the action overlapping into Michael Bay territory. A good combination! Just like the LOTR trilogy was kind of a marriage of Braveheart and Jurassic Park visuals with random Peter Jacksonisms filling in the gaps I think BvS was a bit of an amalgamation of Gone Girl and Transformers/The Rock. Zack even had the Batwing flying under the bay bridge like the F-18's going under the Golden Gate in The Rock. So stylistically I love BvS from beginning to end. And I do think that Zack added his own signature cues like the "300-esque" fighting of WW and a lot of urban scenes that looked pulled right out of Watchmen. But Zack has always been big on style and I know that a lot of people don't even want to give him kudos in that regard anymore. But I think it's an oversight to take all that for granted and dismiss it.
There are just so many great moments, way too many to list in that regard. Bruce standing in front of the empty Batsuit. The cinematrography, music, design of the suit, look in his eye, honestly I think it's one of the all time great Batman moments ever put to film.
So let's just get right into:
3. Ben Affleck
For me his portrayal really is definitive at this point. Not only his look and way he carried himself but his acting as well. And while I do think that *three* sideways glances to Alfred in *one* scene is a little much
lol) that was more of a directing/editing thing and not on him. To me he even turned inherent negatives into positives. Like that kind of cocky/goofy "Ben Affleck" aspect of his own personality that he pretty much brings to every role. In BvS when Mercy, Lex's aide, finds him downstairs messing with the servers he actually projects his real life demeanor as Bruce Wayne's mask (and does it in a pretty, for lack of a better word, "charming" way) but then immediately drops the "Ben Affleck mask" and sullenly tells Alfred "I can't stay down here..." as the "real" Bruce. Brilliant.
And his acting constantly makes up for Cavill's deficiencies almost every time they're on screen together. Though I did like how Cavill played the whole exchange between him and Bruce at Lex's party.
Now I could continue to numerically list every scene or filmmaking choice I liked scene by scene but even I think that would be overkill.
I thought it was cool that Lex's security team burned all the bodies in Africa to make it look like Superman torched them with his eyes. And I liked the symmetry of "diving for Kryptonite" at both the beginning and end of the film. Amy Adams and Lawrence Fishburne's performances were great and appeared totally effortless. I liked the choice to make all the sex slaves non-English speaking immigrants so that they had no history of the Batman and were utterly terrified by him. I *loved* the creepy horror movie style security footage of Batman taking out Lex's guards when he finally stole the Kryptonite. And I can't say enough about the Knightmare sequence. Just fantastic. Scene after scene after scene of great stuff. Yes there were flaws interspersed throughout the course of the film but the onslaught of so many great moments is just too great for me to write the film off. I just take the bad with the good.
What makes the movie for me in particular and above all other aspects is Batman's heroism at the end. Just that he's the guy, the "human" who actually does the unthinkable and takes on Superman, the MOST suicidal of all endeavors (sorry Will Smith and your buddies) and PREVAILS, I mean that right there is the ultimate mismatch, the ultimate underdog fight, and he almost becomes the coolest superhero ever on that alone. But then you've got the fact that he's the guy who DOESN'T have the girl, DOESN'T have the mom, doesn't really have any hope for himself, and yet he's still the guy who gives everything he has in rescuing Martha and taking on Doomsday.
I think my single favorite action moment in the film is when the one general says that Doomsday is unkillable and then they cut immediately to Batman, alone in his plane, proceeding to take him head on. I love that ****! It's so hard to put these ridiculously powerful heroes into situations where you want to cheer them on and Snyder did it IMO. That's what these movies are all about. Great stuff.