I wonder what Feige is thinking. As I recall for the longest time there was never a plan to do this movie in any MCU phase. I like ScarJo but she's lucky to be earning any $ at all from a solo Black Widow movie. If it wasn't for Feige figuring out a way to make it happen and Disney implicitly okaying it (via giving Feige full discretion/creative control), she'd be $20 Million poorer right now.
He’s basically siding with Scarlet because he has to protect his baby the MCU, maybe he had a roadmap where BW came back thanks to the multiverse but Daddy Disney burned that bridge now.
I usually try to be open minded about stuff but reading Michael Ovitz’s Autobiography Called Who is Michael Ovitz, one of the founders of the famous Hollywood Agent company CAA goes in depth a lot behind the scenes on how they negotiate with studios, Disney from his perspective hated them(Agency’s) with a passion, This is from Page 269 in regards to how Eisner at the time treated Robin, but at the end of the day different CEO literally SAME exact company:
“When Disney was making Aladdin, Robin Williams was slotted to do three days of voice-over work as the Genie. But his ad-libbing was so wildly funny and prolific that Michael Eisner tossed the script aside and rebuilt the movie around Robin—without revising his compensation. Afterward, Robin asked me to come by his apartment in New York to discuss the issue. He began telling me about it in character, as the Genie. He was a troubled but lovable man, and he’d often take refuge in the voice of some character or other. I said, “Talk to me as you, Robin,” and he finally did, very quietly. We spoke for two hours, and I told him I’d fix it. I called Eisner, who tried the usual “Your client had a contract, and he got paid.” I told him Robin didn’t want any more money, but that he deserved a significant gesture of recognition for what he’d done for Disney—the movie would gross more than half a billion dollars. Michael finally agreed to give Robin a showpiece painting, such as a Picasso. I went and found a suitable Picasso at the Pace Gallery, and told Disney to send Arne Glimcher a check for $4 million. I knew that, expensive as the painting was, it was worth much more. At that point Eisner declared that the painting would remain a Disney property, but that he’d lend it to Robin. I got mad and said, “If I didn’t have a client as nice as Robin, I’d demand fifteen million dollars.” Robin got his Picasso.”
Same stuff different day