GodzillaSpawn
Super Freak
- Joined
- Nov 6, 2009
- Messages
- 5,028
- Reaction score
- 6
Loved the first. Wasn't too crazy about the second. I'm curious as to the plot of this one.
"Been pulling 14-hour days trying to finish RIDDICK. My typical day starts at 9am with intensive visual effects meetings, sweating out the details of our 900 VFX shots. Then I jet across town to the mix stage, Soundelux, where I supervise the sound, balancing out the often-competing elements of music, sound fx, sound design, and dialog. At night I hit the lab, Technicolor in Hollywood, staying until midnight to do “DI work” — color-correction of the movie. This is where David Eggby and I have one last chance to get the images right, dropping in grads and power windows to finesse what we shot on set. It’s a great tool, the Digital Intermediate. Kind of like Photoshop for movies. Gotta love it. Gotta love the challenge of bringing it all home."
Is this headed to SyFy?
Is this headed to SyFy?
don't let the door hit you on the way out.
Kiss my grits, honky!
gotta say, I loved Pitch Black when it hit; saw CoR when it hit and my reaction was pretty much, "WTF were they thinking!" I've come to really like it more over the years - way more than originally
So, gotta say pumped for 3, glad Karl Urban is back......does the man age slower than most, or is it just me?
Look, dorks, I've seen ST:TNG episodes that looked better than this is shaping up to be.
Look, dorks, I've seen ST:TNG episodes that looked better than this is shaping up to be.
Look, dorks, I've seen ST:TNG episodes that looked better than this is shaping up to be.
LOL, hey, that was a great show in the day!!!! (discounting Wesley crusher centric ones, natually)
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