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Superior level of drama and war foh yeeewwwwww!
I blame the 80's.
Superior level of drama and war foh yeeewwwwww!
Lol.
Remember when Harvey Keitel learned that Tim Roth had betrayed everyone so he blew him away at the end of Reservoir Dogs? That's what Bane should have done to Talia.
In her little "the knife that cuts deepest" speech she should have referenced her night with Bruce and then as she is about to stab him suddenly gets lifted off the ground, screams, Bane snaps her neck. He then casually re-attaches his breathing apparatus (to reveal that he'd been faking weakness as a test of Talia's character) and orders two of his men to hold Bruce so that he can burn with his city.
Bane leaves in the truck, Selina blows away the two goons, the chase plays out largely the same but with Bruce dying in the blast, no Italy. Bane dies a badass (not like Talia, he can just get crushed when the truck crashes to the street), Bruce is "free" of Batman, the trilogy goes out with a bang (literally.)
I think it's a bizarre situation we have here where, by so many people's accounts, they've made a movie about The Joker that is too realistic for Batman to exist in the same world.
Part of me thinks....well what was the point of that then?
Lex Luthor without Superman. Clarence Boddicker without Robocop. Shredder without Splinter and the Turtles. All un-super villains whose enemies (the heroes) are fantastical in nature.
I'm not saying they shouldn't have made an origin movie dedicated to the character - I just question why you would go with a tone that actually seems to preclude the primary character of that franchise from being depicted in the same universe.
I still haven't seen it, I'm just going on what I've read.
But Bruce in Italy is him moving on, being free and finally not a traumatized 10 year old boy in a 40 year old body like every other Batman. That's the ultimate victory for a character like Bruce. I do like the Bane idea tho. Although, Bane leaving Batman with two goons is a typical movi cliche where the main villain leaves the hero alive and leaves the place assuming everything will go according to plan. It's like they've never seen a James Bond movie. Even the first John Wick did that. I like that as soon as Talia made the clich? villain thing of walking away and leaving Batman alive, Bane went for the kill immediately and said, "You'll just have to imagine the fire."
Yes I was just aiming for some relatively simple tweaks that would keep the flow of the finale largely the same without rewriting the ending from the ground up. Since Talia did the "James Bond leaves hero to die" thing I figured they could just have Bane do that instead and cut out all the weeping and horribly acted deaths. And Bruce dying *would* have made him different than every other Batman. No need for him to run off the Italy while the freed criminals burn the city to the ground.
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Bruce moving on from Batman and overcoming his childhood trauma already made him different than any other Batman.
Okay so we agree that Italy was totally unnecessary to make him "different" from other Batmans.
In Joker, Gotham doesn't even look like Gotham. It just looks like New York, which is perfect for that film. I guess the same can be said about TDK looking like Chicago tho. I do like the idea of Gotham looking like its own city like in the Burton movies or the Arkham games. I like the gothic look and fantasy elements of that world, so I hope The Batman film goes in that direction. Ii don't mind two different cinematic Batman universes, one real world NY and another that's full comic book/video game. Just don't mix the two.
I agree with all.
I would like to see a very grim Batman but in a more stylized city... dark, oppressive... it would also justify Batman more; the more the world is stylized, the more you accept a man dressing up in costume to fight crime.
One of Nolan's mistakes was making it so average-day real that the Batsuit seemed 'silly' and out of place and, worse, impractical. You sit there thinking: lose the cape and get full tactical armor going. In a more Gothic stylized world, then a more stylized "outfit" starts to make sense. It is a tricky balance for sure.
"So did something go wrong or did something go right? Do you want to tell me about your son's dealings with Ukraine?"
"No. No, I don't think I will..."
I watched TDKR again the other night. There are things I don't like about the film but I nevertheless enjoy it overall. The action and the Batman/Bane fights disappoint me every time to be honest. The execution wasn't great. So many hits quite obviously weren't connecting, so much gunfire and cannon fire were clearly just blanks, having no impact whatsoever on what they were supposed to be hitting.
The film didn't sell very well why Batman wasn't able to beat Bane the first time around - despite owning every goon beforehand with the same ease as he did in Batman Begins, he seems to be exhausted at the very start of his first encounter with Bane and it wasn't clear why. And despite plenty of hits to the face Bane's mask was immune to damage until of course the story required it not to be in the second fight. That second fight was even more disappointing. Batman gets his ass kicked again...until he doesn't and a few barely connecting hits later Bane is out for the count and Batman is shouting at him embarrassingly like as though he had been 'in charge' the whole fight and not just in the last 20 seconds. Then Talia does her thing and Batman is at Bane's mercy once again and has to be rescued by Catwoman. A painfully uncathartic (sp?...or not actually a word?) conclusion to the Batman/Bane rivalry
And yet..and yet, I like the film. I cared what was going on. I'm not sighing and checking my phone. Well, obviously not, because I've deliberately watched the film a number of times at this stage, I know what I'm going in for. Great characters and acting for the most part, great dialogue mostly, awesome score and I think a logical way for that particular Batman to 'end'.
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