Rogue Trooper
Super Freak
Never knew there was a special for easter, somethng to watch i guess,
I don't recall where I heard the term Nu-Who first but I suppose it's come about as a way for fans to seperate the original 1963-89 run from the revival and really there's not much that the two eras have in common (aside from the obvious) so it's difficult for some to accept as being part of the same continuity.
Correction, I've watched and indeed ENJOYED most of what came before "The Runaway Bride" ( even DT as the Doctor to begin with ) but after that is when I felt things started to slide.
Even though I nearly stopped watching on several occasions I persisted with it out of a sense of optimism that'd it'd get better before finally calling it a day after the series 4 finale.
And what's so wrong with me liking the character of Wilf?
For me he's the only member of the Noble clan and one of the few in the entire revived show that comes across as being genuinely likeable. Maybe it's because he reminds me a bit of my own grandad who is no longer with us. Did you ever consider that?
There's more in common between the last four Doctors than the first four. And vastly more in common between the second half of the series than the first half. The new series makes its share of mistakes (the series four finale is just embarrassingly poor drama on multiple levels) but it's also got its share of stone cold classics.
I'm always baffled by the "difficult to accept as being part of the same continuity" thing. I can understand people not liking it, but frankly I doubt there's ever been a bigger effort on television to directly link continuity than Doctor Who. Forget about returning monsters and future history and references to past adventures - this is the series that gave us School Reunion. What's the argument the continuity doesn't carry?
Personally it's not so much the continuity I've a problem with,in a show about time travel it's nigh on impossible to keep things consistent, it's more the style of story telling that makes it difficult for me to enjoy Nu-Who as much even though I'd never seen a Classic story in full until just after the second series of Nu-Who had finished.
The Classic era was much slower paced with most stories being 4-part serials and due to the lack of fancy effects technology the stories had to be driven by the dialogue. OK that dialogue wasn't necessarily the best ever written but on many occasions it allowed for much more intresting characters as even minor ones were allowed a decent amount of time onscreen.
Nu-Who by comparison is a mad rush to get from one flashy action scene to the next with no time for much in between and most of the stories come off as either rushed or they try to be something spectacular but end up nowhere near the mark.
The occasional fast paced story is fine but not every single week and I've found it impossible to connect with most of the characters due to either not seeing enough of them to form an opinion or the fact they are plain irritating.
I know the format has had to change to reflect how modern TV audiences are but unlike many Who fans I'm not going to blindly accept whatever the BBC come up with just for the sake of having new episodes to watch.
Prog,
All's cool, I was tired and having a crappy day when I wrote that so I overeacted a bit.
And you're spot on about badly acted characters having special places in people's hearts. It's the only way I can explain the popularity of the 10th Doctor,Donna Noble and Captain Jack.
Ooooooh... you wouldnt let it lie... you just couldn't let it lie!!!!
Nice Vic Reeves reference! ( now there'd be an intresting Doctor).
Anyway, I have fairly enjoyed watching the old Who too, but I often think some of the stories are way to long. Some of the stories you can skip the middle 2 episodes and not miss much progress.
I've said that myself, or Alan Rickman... but he wouldn't be interested!
The Classic era was much slower paced with most stories being 4-part serials and due to the lack of fancy effects technology the stories had to be driven by the dialogue.
The occasional fast paced story is fine but not every single week and I've found it impossible to connect with most of the characters due to either not seeing enough of them to form an opinion or the fact they are plain irritating.
I can appreciate that, but even you must admit there is a large jump in storytelling style between The Reign of Terror and The Seeds of Doom and The Curse of Fenric. The classic series changed radically over time and I think we often don't notice that because it's an evolution.
But not always. Jumping from The War Games to Spearhead from Space is a massive leap - far bigger than the storytelling shift from Survival to Rose, for example.
I point this out because it's important to consider that what may be "slow pacing" for one viewer could be breakneck speed for another.
I agree with you that the new series is too often rushed, and although I love it dearly I will be the first to admit it's a bit dumb and not nearly as ambitious or imaginative as the original series. But it's also not always rushed; scripts like Rose and Blink are terrific examples of pacing and we do get to slow down a few times a year to classic series unfolding with the two-part stories. I recall you dislike Human Nature but it's a classic equivalent of the old four-part structure - only without the "dogleg" of part three that used to drive poor old Robert Holmes to fits.
Steven Moffat is brilliant at pacing and structure; I know you dislike his episodes but I suspect his version of Doctor Who will be much closer to the one you prefer in terms of slowing down.
Here I think the nostalgia effect sets in (even for new classic series viewers, who subconsciously see everything through a veneer of history). The fact is the classic series simply did not have very many fully formed characters. Outside of seasons 1 and 26 I would argue it had none at all. What makes us love those companions are the actors playing them. So while it's fair enough to say you haven't seen enough of the modern companions to form an opinion, I think even you have to admit we've been given far more to make an opinion about than, say, Jo Grant, who is an utter cipher made wonderful by the actor who plays her.
As for the foetus comment ... to be completely fair Steven Moffat went into the casting sessions wanting an older man in his 40s, having believed the RTD Doctors were too young for the role. Matt Smith blew him away. Simple as that.
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