We're already in Star Wars territory here. Those discussions were fans pit their imaginary theories about an imaginary story against each other.
Oh, is somebody afraid to battle in the sacred arena of internet nerdom ?
But sure, I'll play:
Oh.
Sure, no argument there. I'm just going by the assumption that they spend most of their time underground, and thus paler complexions, which would allow for them to absorb more sunlight, would be evolutionary favoured.20,000 years isn't near long enough for speciation, but it's plenty long enough for phenotypic variation and drift.
Canonically speaking, the Fremen have been present on Arrakis long enough for selective pressure to manifest: the sequence where the Shadout Mapes allows herself to be cut by the Crysknife highlights the uniquely rapid speed of clotting/coagulation, a physiological adaptation to retain moisture, and they don't seem to involuntarily cry from emotion either, as evidenced by their shock at Paul's tears.
There are plenty of brown peoples throughout the world whose skin grows *quite* leathery with a lifetime of exposure to the elements, never mind the fictional Arrakeen sun and aridity.
My bad there. It's been a long while since I listened to the audiobook (I'm just now getting off my arse to buy physical copies).In the descriptions they are described as sinewy, weedy, thin, calorically restricted but they're not 'malnourished' given their formidable fighting abilities.
Which is precisely my point. You could've had a phenotypically diverse cast that's still close to the canon, and not gone with "eh, whatever, she's kinda dark, they're kinda brown, **** it". It'd have been a good chance to stop talking about "muh representation/diversity" and just done it, without going with the typical choice.Sure, lots of variation in the Arab world. Many are olive skinned to begin with. The genetics in that part of the world are all over the place.
Zendaya is pushed, but I wouldn't say that she's popular in the sense that a "star" is. MCU "A-Listers" struggle to find an audience outside of those movies, so I doubt she does. And heck, in the end, I'd prefer to look at, and have Paul hook up with, a ginger than just Zendaya again. It's funny that in trying to be diverse, one of the rarest natural phenotypes in the world rarely shows up anymore. And I think that Hollywood could find some unknown red-haired girl from a MENA country. It's not like Zendaya is Daniel Day Lewis, acting wise.Any depiction of human phenotypes in 20,000 years being purely speculative, the director has a lot of latitude. Like or her not, Zendaya is popular in the industry right now and at any rate I think she looks the part of a lean, fighting Fremen, because my personal opinion is not locked on specifically Arabic-descended Fremen that look identical to the contemporary Middle Eastern phenotypes.
I'd say that it is generally in argument since "it's da futah" is a legit way to explain away things and set up your story. That 'Man After Man' book uses it to its fullest.It's not an 'argument'. This is an adaptation and as such certain elements have a plasticity to them that allows contemporary people to relate to them.-- my personal opinion is that many great stories that persist through time and culture have these flexible elements within them.
I get why people use it, is my point. I just don't think it can be used everywhere. It's valid in an original story, but when you adapt things, IMHO, you should stick as close to the source as you can. If you want to say "dude, it's da futah, that's why after some kinda gene-splicing, we now have furries", you can. More or less it's what Elephantmen is.
Personally I mind because Dune belongs in the Space Opera subgenre, and it's a story about Houses and specific peoples. To me, to represent such clashes you need defined ethnicties and not multiracial populations, so as to be able to sell the differences better. "House X is Y", "People Z are U" and so on and so forth. It's that kind of story where you need clearly defined borders/lines/definitions/characterizations/etc. It's how Star Wars and Valerian did it, and it works for those stories.I already know your opinion and won't try to change your mind. I would have no problem with your casting of Dune with Space Greeks and Space Arabs. None. But I'm not bothered by Villeneuve's multi-ethnic casting because in this particular case, I feel it's a non-issue.
It doesn't bother me that something like "The Expanse" has multicultural people everywhere, and you've got phenotypes where you can't even tell what they are, because that's the angle they were going for. That's the series' identity/look, even in the books. So that's fine by me. But Dune is different, and I want a different approach.
Just my 0.02 $.