RegJr
Freaked Out
Re: Hot Toys - Star Wars: The Last Jedi - Luke Skywalker (Force Projection) - CONFIRM
I agree that the only thing which matters is what is seen onscreen. But if the director is going to show a starship, at a distance and underwater, then it's important that the audience actually see it. And if it is burned, dismantled, rotted, submerged, and seen from Rey's perspective, then I imagine there is a good chance that a portion of the audience may not recognize it. If it had been a submerged and heaping wreck, I can easily picture my dad leaning over to me in the theater and asking, "What was that?" So, you have to make it as recognizable as possible, since it is being seen at a distance, and underwater.
For me, I try to keep the intent of the filmmaker in mind while analyzing the film post-viewing. While watching the movie, I was not thinking about whether or not the ship was salvageable. In fact, I never noticed that his hut door was formerly a part of his X-Wing until I saw it pointed out in the Visual Dictionary. I was taking each piece of information presented as I believe it was intended: to convey a sense of character, and to move the plot forward. Now, if I were to ponder that detail while watching the scene, I'm pretty sure my thought would have been, "If my car had been submerged in salt water for 20 years, that sucker ain't gonna turn over when I put the key in it." By being underwater, as opposed to sitting on land with a tarp over it, I got the message that I believe the director was trying to send: he scuttled the ship - dude ain't leaving.
And to your point - again, the ONLY thing that matters is what's onscreen. I looked at the shot in the film and - whatever the intention - it doesn't look wrecked. It looks submerged but perfectly intact - no visible damage, nothing missing. So based on the books, the Art Dept and FX departments failed to clearly convey "burned/rusted/scuttled/rotting spaceship."
I agree that the only thing which matters is what is seen onscreen. But if the director is going to show a starship, at a distance and underwater, then it's important that the audience actually see it. And if it is burned, dismantled, rotted, submerged, and seen from Rey's perspective, then I imagine there is a good chance that a portion of the audience may not recognize it. If it had been a submerged and heaping wreck, I can easily picture my dad leaning over to me in the theater and asking, "What was that?" So, you have to make it as recognizable as possible, since it is being seen at a distance, and underwater.
For me, I try to keep the intent of the filmmaker in mind while analyzing the film post-viewing. While watching the movie, I was not thinking about whether or not the ship was salvageable. In fact, I never noticed that his hut door was formerly a part of his X-Wing until I saw it pointed out in the Visual Dictionary. I was taking each piece of information presented as I believe it was intended: to convey a sense of character, and to move the plot forward. Now, if I were to ponder that detail while watching the scene, I'm pretty sure my thought would have been, "If my car had been submerged in salt water for 20 years, that sucker ain't gonna turn over when I put the key in it." By being underwater, as opposed to sitting on land with a tarp over it, I got the message that I believe the director was trying to send: he scuttled the ship - dude ain't leaving.