I was trying to pin down why I found this film to be particularly lacking compared to other films of its kind.
I'm curious as to how fans of the film respond to these points:
1. No establishment of Dredd being unique among Judges. In films like Cobra, Robocop, Last Action Hero, and so on the film typically sets up the bad guys as being incapable to deal with by regular cops...until the super badass arrives on the scene. We didn't get that in Dredd. He's the first one called to apprehend the criminals in the van and he dismisses backup but for all we know it's because he doesn't care/has a death wish/is a super badass--we don't know. He dispatches the bad guys but what about his success sets him apart? No other judge could have shot the van with the motorcycle machine guns? Or casually shot the guy with the head frying heat round? We have no context to his badassery.
Even in Peachtree all we know is that they've never had a judge called there before "but they've got one now." Okay, so does that mean *any* judge would have had the same success as Dredd but he just happened to be the first to make an appearance? His tactics and skill don't seem to be altogether unique. Everything is by the book, he even lets his rookie partner quote procedure (that he then follows) as various bad guys approach.
Sometimes "supercops" are unique because of their tactics (Cobra and Jack Slater,) sometimes they're by the book and simply can't be stopped (Robocop.) With Dredd, neither is established.
Even the other judges who show up to stop him seem to approach him the same way and other than the one guy demanding $1,000,000 because "he knows who he is," again, we never see what sets Dredd apart from them. One guy uses the same voice-activated gun tricks to shoot Dredd through a wall and could have literally defeated him if he didn't get too cocky at the last second. That's it? Dredd is special because he would never stop to gloat? Okay, that's cool and all but it's kind of a lacking defining characteristic, IMO (though Dredd actually did seem to pause himself when facing the "hothead" guy at the beginning. Good thing that guy didn't have a buddy waiting to shoot Dredd in the back.)
Anderson actually had the more interesting tactics (sorry Celtic, she was still a supporting character) what with the way she uniquely read the female judge's mind before blowing her away.
2. Showing their captive's imagination of having sex with Anderson just came across as smutty, nothing more. I didn't even realize that was supposed to be particularly violent or a "rape" until she described it as such when repeating it back to him. Usually rape victims aren't stripped head to toe, it just seemed like they were doing it rough. I actually would have considered that to be *more* offensive to her, that he was imagining her *liking it.* And if that really was supposed to be a "violent" encounter, then how tame compared to what we'd been led to believe the bad guys were capable of!
If he just said "what am I thinking" and then she got pissed about some "violent sexual liaison" I would have assumed something much worse was going on in his head. As such it just seemed like gratuitous smut.
3. Nothing really unique in the escalation of action. When Hans Gruber fell to his death that was something special the movie reserved just for him. But sending Mama off into a freefall? The fifth time we'd seen that happen in the movie. But she was under the effects of "slo-mo" so it took forever for her. So, that's exactly what happened to the three guys at the beginning and they were skinned alive first! All Dredd did was shoot people or throw them off the building (or both as with the guy that was set on fire and THEN went over the side) and finally he gets to Mama and what does he do? Throws her off the building.
Urban was such a badass and I really did love both his performance and his chemistry with Anderson but it just seemed to be lacking in some really crucial areas to make it a truly worthy entry into this genre of films.