EVILFACE
Super Freak
That church scene is so silly. Not for the exchange, but the fact that an alien force has threatened to destroy the planet and this church is empty except for the priest to who is sweeping up.
That church scene is so silly. Not for the exchange, but the fact that an alien force has threatened to destroy the planet and this church is empty except for the priest to who is sweeping up.
Arcs are good, yes. However, Deadshot's arc makes no sense, which is the guy's point. Deadshot had one...it just didn't work.
Deadshot is in prison and wants to take care of his daughter.
She doesn't like what he does for living and wants him to change.
At the very climax when Deadshot is going to take a....shot...to save the world, the filmmaker puts his daughter in that scene trying to stop him because she doesn't like what he does (killing) as a link to the beginning of the film. However, in that particular moment Deadshot is killing something to save the world, so for the writer to connect the daughter's objection to killing to that climatic moment, it doesn't work as an effective arc, according to the guy in the video.
In fact, by the end of the film he's still in prison, still a killer, but the daughter still loves him...which is exactly what she told him in the beginning.
But does the film really do a good job of showing why he accepts his heritage and place on earth?
There are moments in the film where Clark is still questioning if he should trust humans and if he should turn himself in, like when he talks to the priest. Then there's his father constantly telling him no to expose himself (that sounds bad ) to the point that Pa Kent committed suicide, but at the same time he tells him that one day...not now...even with that tornado about to kill me...one day, you'll change the world. Ultimately, it's clear that he choses the humans, he accepts earth..."welcome to the planet"...but is it clear why he does it? Why he feels like he can finally accept his heritage and place on earth?
Deadshot was not the same at the end as he was at the beginning. He refused to murder Harley Quinn even though it jeopardized seeing his daughter (something that would have been unthinkable at the beginning of the movie)
and his time in prison at the end was not the same as it was earlier. He got visitation rights with his daughter, letters, and a stronger bond with her. Hell if there was no such thing as a DCEU and upcoming SS sequels we might even assume he was a full on reformed good guy at that point.
Yes it is.
It should be clear from the beginning since it's so painfully obvious but that's the current state of the audience.Well, that clarifies everything
It should be clear from the beginning since it's so painfully obvious but that's the current state of the audience.
Clown is right about everything except Deadshot's vision.
He even made funny sunday football and coffee machine jokes.
Not bad Clown.
That wasn't a change at all. It could have been...but that's his code. No women or children...even he said it.
What is Senor Superman doing here?
One thing that some people fail to recognize though is that how his character grows as a person for instance. Same with other classics like Ghostbusters. Venkman at the beginning was pretty much Venkman at the end
The video reviewer was still an idiot for questioning Deadshot's vision though.
Doh. You're right. They spelled that out in the bar didn't they. I never connected that to him sparing Harley. Yeah, not much development for him otherwise. One thing that some people fail to recognize though is that not all movies need character developments or arcs, not even great ones. It tends to be a genre thing. Nobody watches Arnold in Commando or Predator to see how his character grows as a person for instance. Same with other classics like Ghostbusters. Venkman at the beginning was pretty much Venkman at the end.
Sometimes just watching archetypes "do what they do" whether it be blowing up bad guys or cracking wise is enough. I'm not saying that SS gets a pass because of this but it does pretty much present itself as "here's some kinda bad people kicking ass, enjoy!" And lives or dies (and for many viewers it obviously died) on that alone.
The video reviewer was still an idiot for questioning Deadshot's vision though.
You're giving me heartburn
So you're telling me that he understands the fundamentals of storytelling and screenwriting, but can't tell that it was a vision created by the dancing witch, when it's not even subtle? I mean, the guy doesn't believe that the girl is a manifestation or creation of Deadshot's mind with no connection to the villain who can clearly create visions. He's just questioning the choice of incorporating that character in that particular moment and having the character deliver a line that in no way makes sense in relation to that moment and their relationship...especially when he still shot the witch anyway.
Nah, khev still right.
May I offer you some pepto bismo.
James Bond is a good example too.
Didn't work...
All this talk about arcs makes me appreciate the simplicity of old James Bond and Indiana Jones (well, Raiders anyway).
No arc -- just a mission and a new bad guy.
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