EVILFACE
Insufferable S.O.B.
It should have no problem passing the World Wide take of Iron Man I, which is a good target for a launch movie.
It should have no problem passing the World Wide take of Iron Man I, which is a good target for a launch movie.
Yeah, of course it's Zack's fault.
The neck break should've been in slow mo.
Peter Jackson super slow motion with the camera zoomed in!!!
Irish, how much of that goes to Legendary/Syncope?
Also, how are your bowels.
Irish, how much of that goes in Snyders pants?
Irish, how many famous people do you know?
Oh, you're talking about the mix (level/volume of sound). I was under the impression you were referring to the music itself matching what's onscreen. And there wasn't anything that could be done there, short of simply not using what Zimmer scored (or pulling a Lucas).Damn right it's his fault. Unless the producers fired him off the gig and oversaw the sound edit themselves. That's a major part of his job
Zack didn't pull a George Lucas prequel thing and cut the score in randomly.
Does anyone know the actual marketing costs for Man of Steel? That's gotta be a huge factor in determining success or failure, but I haven't seen it anywhere. I'm also not sure how how the merchandising business works--presumably the production company gets some cut of that revenue, but how much?
What is meant by this??? Is this true?? Is this why the scores in the PT just don't seem to work? Is this yet another reason I can hate Lucas
My sex life super duper slow mo zoomed in 5 x.
I was referring to both actually. The synchronicity of image and music, there were some great elements in Zimmer's score, but it was not utilised properly on screen. I presume Snyder directed Zimmer?Oh, you're talking about the mix (level/volume of sound). I was under the impression you were referring to the music itself matching what's onscreen. And there wasn't anything that could be done there, short of simply not using what Zimmer scored (or pulling a Lucas).
Personally, I much preferred the temp track.
I was referring to both actually. The synchronicity of image and music, there were some great elements in Zimmer's score, but it was not utilised properly on screen. I presume Snyder directed Zimmer? At least I hope so.Oh, you're talking about the mix (level/volume of sound). I was under the impression you were referring to the music itself matching what's onscreen. And there wasn't anything that could be done there, short of simply not using what Zimmer scored (or pulling a Lucas).
Personally, I much preferred the temp track.
Worldwide marketing and distribution costs will come in around between $155-$170 million. That's why I pointed out that the revenue from Promotional partners (already at $160 million) will off-set it. So either Forbes was unaware of that, or they were just completely talking out of their ***. And if so I'm still not figuring out their $800 million claim. I think that's just arbitrary conjecture.
That's still just a minute long video, of a 3 inch long thing.