I agree that time is a major factor in perfecting this particular art form. We're not talking about Pollack making random paint splashes on a canvas or Haring's stick figure pictures. We're not even talking about sculpting large sized objects where adding detail can be easier. We're talking about sculpting and painting tiny little heads that are supposed to look like someone specific; this s__t is HARD! No matter how good someone is at this they can't just wave a magic wand and presto... it's perfect. If an artist takes a crack at something and nails it quickly (as Sam was mentioning) then I think that's just how the chips fell on that particular go, but I think those are the sweet times when the stars line up just right. I highly doubt the best of the best can do that consistently.
If time wasn't a factor then why do we see WIP's and stages of progression? Why can't the artists just wave their magic wands and BOOM... there's a perfect sculpt in under 24 hours. It takes time to go from the first stage of a raw piece of clay to the last stage... the final product. I'm sure most sculptors can look at the reference material and look at their sculpt and say..., "Ya know what, I can probably make the lips a little more this" or "I can improve the eyes with a little less that". If they can't see it themselves then there will be an outsider looking in who sure could and if they are open to suggestion, then that outsider can bring certain points to their attention.
I'll use Johnny's Rocky just for example (not dragging him into this; it's just the most recent project that I'm following). He brought the sculpt to what easily could've been final until it was mentioned that it would be an improvement if the eyes were a bit bigger. He agreed and is going to look into it. He could have easily said “that’s a wrap”, called it final and fired up the oven but instead he’s putting more time into it to make it better.
If time wasn't a factor then why do we see WIP's and stages of progression? Why can't the artists just wave their magic wands and BOOM... there's a perfect sculpt in under 24 hours. It takes time to go from the first stage of a raw piece of clay to the last stage... the final product. I'm sure most sculptors can look at the reference material and look at their sculpt and say..., "Ya know what, I can probably make the lips a little more this" or "I can improve the eyes with a little less that". If they can't see it themselves then there will be an outsider looking in who sure could and if they are open to suggestion, then that outsider can bring certain points to their attention.
I'll use Johnny's Rocky just for example (not dragging him into this; it's just the most recent project that I'm following). He brought the sculpt to what easily could've been final until it was mentioned that it would be an improvement if the eyes were a bit bigger. He agreed and is going to look into it. He could have easily said “that’s a wrap”, called it final and fired up the oven but instead he’s putting more time into it to make it better.