Leaving an audience questioning is classic film making.
I don't know, the few times I truly reviewed a movie and truly score it, I go deeper than what ifs and should haves. Visual effects, sound, dialogue, facial expressions, camera work, design, musical presentation and choice from scene to scene. These and many other components can be broken down to fact vs fiction statements that are not corrupted by ones personal views and can be presented in such if way of either "good filmmaking" or "bad filmmaking." I see a lot of armchair directors here than never dive deeper into scene specific complaints, just general questions, wishes, and concerns of the plot line and character development in the case of Rey.
For example, when Han dies and they start blasting some Taylor Swift love song.... that is bad filmmaking. If they leave it soundless and for one to think and comprehend the gravity if the situation, to get lost in the scene.... one could say that is good filmmaking.
Of course every single thing we think comes down to a personal view, but sometimes a line can be drawn on what is good vs bad.
So only positive
what ifs are ok, but not when those
what ifs encompass criticism?
And we're all arm-chair directors here, not only those criticizing it, you've been trying to discredit legitimate criticism without actually refuting it, and praising the movie in broad strokes without being specific yourself, maybe you have, I don't know, you blink and this thread has 20 more pages
I've seen more specific and deep criticism than specific and deep praise in this thread, In fact, most of the specific praise I've seen has come from the people criticizing it.
You don't need a film studies degree, or a magnifying glass, because this movie isn't so air tight that you need to dissect it for flaws, the flaws jump right in front of you the moment you start thinking about it, to see, among the many glaring issues, that the pace is relentless, it doesn't let you breathe or assimilate what's happening, and it uses it to cover up the fact that we're not all that attached to the paper thin protagonists which the movie barely brushes over because of that fast pace itself. You keep saying that a movie should be reviewed by what's on screen when most of the emotional attachment and weight comes as nostalgia bait in the form of fan-favorite characters/stuff that have their baggage in other movies, NOT this one, not only that, that it takes leaps of faith that only make sense to people who have some knowledge outside the movies and even they are theorizing to fill in the gaps, like myself, this is not "what's on screen".
I don't share the opinions of stuff like the death of Han is bad and all that, but man, besides all that, the movie has its own share of questionable stuff.
Coincidental happenings is what Star Wars is about. It was the will of the force. That is Star Wars. How else are they supposed to meet?
This is another excuse that bothers me, I'm willing to accept the possibility that maybe someone put the Falcon there, maybe someone put people on Jakku to keep an eye on Rey, maybe even someone sent a little force hint to Han to pass near Jakku at that precise moment.
But if it's not, if all that stuff are coincidences, then it's ********, Star Wars was never that convenient.