- People in this movie can survive anything from being repeatedly pummeled in the face by an armored vigilante to being two feet away from a fiery explosion (Alfred should be dead and Bruce's face should be roasted). And if you're shot, well, you'd better hope the script needs you to stay alive.
- Jim Gordon is written and played as the most cliche'd New York detective imaginable. Every other scene he's in: "Jesus... what kind of sick freak does this?" I wasn't expecting him to be deep, but something more than a caricature would've been nice.
- Riddler is great, but I'll echo other boardies' thoughts that we really ought to have explored other Batman villains on the big screen by now. Judging by that ending scene at Arkham, we're still not out of the woods with the usual ones.
- Why is Colin Farrell in this movie? I assume for marquee value, since he's caked in prosthetics and doesn't even look like himself. I never felt like I was watching Colin in this movie, but that's less of a compliment and more of a "they might as well have hired someone else" deal. I liked the purpose he serves here, though. He's a classic Batman villain, but relegated to a very "real" role that doesn't take anything away from the main baddie.
- The new Batman "theme" isn't interesting enough to warrant being played constantly throughout (and for almost the entire first 20 mins). Same goes for Ave Maria.
- The cape feels out of place with this take on Batman. A younger, slimmer Bruce in a more modern city who's cobbled together his gear and keeps track of his performance in a journal? Doesn't seem like he'd choose a cape.
- Still don't like the cowl. Wish it was as well-developed as the torso armor (which I quite dig the look of).
- I'm glad this Batman doesn't change his voice. The modulator would've been too impersonal and the growl, well, even Bale hardly gets away with it.
- The white privilege line really is silly even in context. Catwoman angrily calls out Batman (clearly white) for probably growing up rich, says that line, then proceeds to kiss him. It's like it was thrown in the film for its own sake, but none of the characters acknowledge it (nor does the plot require them to).
- The kiss feels sudden as well. Where'd the romance come from?
- Car chase was my favorite part and, thinking back on it, the shots are so close-up that it doesn't track the way most car chases do. Seems like it's more about evoking an intense feeling than a real sense of where the cars are in relation to the environment, yet it still works.
- Robert Pattinson's hair stylist really went for their best Trent Reznor recreation on this.
- Depsite my fatigue with superheroes, this didn't feel anything like an MCU film nor any other DC film. Not an entirely original experience (it's still a superhero flick), but still somewhat fresh.
- Impressive pacing for a three-hour movie. In retrospect, the story doesn't feel all that sprawling, yet the filmmakers were able to stretch it to a massive runtime AND make it go by quickly. Perplexing.
- All in all, it's one of the good Batman movies. Maybe even top three for me. Don't know how much that's worth since it's been done well before (what reboot are we on at this point?), but it was enjoyable. I'd be more actively enthusiastic if my qualms with the musical score and the suit didn't exist.