And that's my point. There is only one Bruce Wayne in Nolan's movies. The Bruce Wayne in your "Duology" is the same Bruce Wayne in the Trilogy. It is not a different version of Bruce Wayne. If you don't like Bruce Wayne in TDKR, you don't like Bruce Wayne. His character develops one way. He matures one way. Begins, and TDK are steeping stones on that one path.
You know these are fictional films right, not real people? There are drafts, concepts, different versions of WRITTEN PAGES. It could go anywhere.
I don't like how he
matures from TDK to TDKR and what becomes of him. Is that better? I don't like what they did with the character.
I like how he appears in Begins and TDK. Is that fair? Saying, "well then you don't like the character" is pretty silly. This isn't a real guy. TDKR has only been around for 6 months. SIX months total. Anything could have happened.
What if they decided to make Bruce Wayne a transvestite and he dressed up in a similar fashion as Rachel and Nolan and Co. explained and justified it as, "well, it's because she died". Obviously that would be extreme, but how many people do you think would be turned off and say that "TDKR didn't happen"?
It's entertainment, I can pick and choose what "exists".
Nolan's Batman, for me, ends with him going up the ramp, into the light like a western as "The Dark Knight".
Begins asks: "Why do we fall". That is not fully answered until we see the conclusion of TDKR. Any other interpretation of how his character "should" have been developed is adolescent fan fiction.
Yes it is, hahaha, yes it is.
"Why do we fall".
His father says that to him when he falls into the well. The relief or conclusion is, "so we learn to pick ourselves up".
That's not a throw away line in Begins. This is played up in the third act OF BATMAN BEGINS. When Bruce is at his wits end and frustrated feeling he's failed the city and his father's legacy as he watches his house burn.
What does Alfred say? "Why do we fall" . . . "so we can learn to pick ourselves up".
TDKR just utilizes it because they ran out of ideas, in my opinion. Full circle means, "we ran out of a story to tell, so we're going to rely on the previous films to tell our story". That's why you have Bane being a part of the League of Shadows. That's why you have a "whata twist" moment when Talia pulls a Ducard and the audience finds out, "OH SHE'S A BAD PERSON". That's why you have Alfred saying contrived things like, "WHEN YOU WERE GONE IN . . . BATMAN BEGINS I WENT TO ITALY AND HAD A DRINK, HOPING YOU FOUND A WOMAN AND WERE HAPPY". What's the villain's plot Maglor? League of Shadow villain steals Wayne Enterprises equipment and weaponizes it to turn it against the city. Same crap.
That's also why you have contrived, filler flashbacks throughout the film. You know what that is? That's the sign of a weak script.
From Begins to TDK, they didn't do these things. It was fresh and new, so much so that people felt they were watching two, very different films both thematically and visually. TDK didn't contradict Begins and they were covering new ground laid down by the theme of "escalation". There might have been a subtle reference to Begins like mentioning Falcone or having Scarecrow be caught by Batman, but they pressed forward.
TDKR takes it back and ****s with it all. Nolan might as well be M. Night Shyamalan. "You think you know Bruce Wayne, think again". "You think Batman died, think again." "Hey, guess what, you know that cop guy that we JUST introduced in this film? Yeah, when he was a kid
sometime during Batman Begins, he saw Bruce Wayne and could tell by looking at his eyes that he was Batman. Guess WHAT! This guy was really Robin AND he's gonna be Batman". This is all within 5 minutes of each other, all these dramatic revelations. It tries to echo TDK's ending with Batman taking the blame. TDKR is essentially just Begins and TDK, flipped, inverted, and warped into a worse film that's bigger, louder and nosier than it's predecessors with two lame villains (the weakest of all the films) front and center.
It's all crap, in my opinion. The ambition is there, the cinematography and work is there, the script just sucks balls and the characters suck, especially the worthless secondaries like Foley.