Don't worry. If it doesn't work Zack is sure to take all of the blame (whereas if it does everyone will credit Nolan).
Jyecat language barrier decoded:
we have a hulk
What's the word on those scene reviews that guy posted online? Any truth to his concerns for Synder's continued overuse of slow-mo? His scene descriptions got me pumped but when he started talking about that I came back down to earth again.
What's the word on those scene reviews that guy posted online? Any truth to his concerns for Synder's continued overuse of slow-mo? His scene descriptions got me pumped but when he started talking about that I came back down to earth again.
It won't make sense in any regard for me because it's only always about style.
It won't make sense in any regard for me because it's only always about style.
If it weren't for Goyer, Scarecrow wouldn't have a mask!!! For that, I love that Goyer is involved. And who cares how the script reads if the final product is good? General consensus from Nolanites and Batman fans around these parts seems to be BB > TDK.
I wouldn't call either a mess. Don't get why people get nuts over the third act or the microwave emitter. They complain things are too real. Then they complain there's a silly sci-fi gizmo a villain is using in the movie. Make up your minds what you want!
Actually, it's not so much a stylistic choice with him. His viewpoint hasn't really been "slo-mo is cool and cutting edge" so much as he really just likes some of his favorite shots to last longer for people. I bet he'd use freeze frames some time if he could get away with it.
Whedon used the same slo-mo technique a couple of times in AVENGERS to good effect.
Tell the jerk I like to decide which frames I like the most.
Seriously though it doesn't bother me if it's in the film but I'm of the opinion it needs to be significantly reeled in from his previous works.
Does Chris Nolan even read comic books? I imagine he picks them up with tongs.
I read comics in thongs, is that the same.
I read comics in thongs, is that the same.
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