Jye: ''She will come to me?''
Khev: ''I have foreseen it. She will come to you and then you will bring her before me''
“There's a very sustaining palette to the aesthetic of the show that honors all of the old and the new of what we know of Star Wars,” Pascal tells us of his role, which he has said was influenced by Sergio Leone’s spaghetti westerns in creating The Mandalorian’s lone gunslinger performance. “And then in very artful and daring ways, they're going to forge new styles,” he teases of the second season.
“I think they're very dedicated to not betraying what would feel or look true to the world, but there are so many so many special ways – none of which I can tell you – that they are experimenting with creating even more new environments in the Star Wars universe.”
I hope the new re release Black Series Ahsoka figure released for PO today isn't an indication of how Rosario will look in the Mando s2... The figure was changed from an orange skin tone to almost a black skin tone....
View attachment 486252
Guess no body paint for Rosario... Our new Ahsoka canon..
Get ready for the re released CW series with updated animation...
They asked different kinds of questions back then. You really do get the impression that sci-fi wasn't done much and sci-fi fantasy done even less.
Mark's youthful enthusiasm is great. He always knew the names of everything from the beginning.
They asked different kinds of questions back then. You really do get the impression that sci-fi wasn't done much and sci-fi fantasy done even less.
Mark's youthful enthusiasm is great. He always knew the names of everything from the beginning.
https://www.radiotimes.com/news/tv/2020-06-04/the-mandalorian-behind-the-camera-how-to-watch/The virtual ATX Television Festival will include a remote panel, with The Mandalorian?s five guest directors ? including Marvel?s Taika Waititi ? appearing to discuss the making of series one.
How to watch The Mandalorian: Behind the Camera
The virtual panel will take place on Friday 5th June at 4.45pm CT (10.45pm BST for UK viewers). Click here to watch from the comfort of your own home.
ATX Television Festival?s ?ATX TV? from the Couch!? virtual festival takes place across the weekend June 5th ? 7th.
The panel includes series creator and writer Jon Favreau, executive producer and director Dave Filoni, alongside guest directors Rick Famuyiwa, Deborah Chow, Bryce Dallas Howard, and Taika Waititi.
The latest Disney Gallery episode, 'Visualization', was pretty short. It was also the least interesting so far, apart from the beginning with the clips from Star Wars and The Empire Strikes Back illustrating the kind of Star Wars The Mandalorian was building on. Then going back further to some of the visual source material that Star Wars was itself built upon.
It underscores the ethos behind the series, and why (for me at least) it works so well.
Though they could've gone further back, but each generation draws upon their immediate past for visual inspiration.
Nice comparison pics. One thing that struck me is talking about the budget with Kennedy there. I read or heard - can't remember - that budget constraints re the OT led to innovation and some of the most iconic scenes; and I suppose that's true of Mandalorian e.g. forcing the development of techniques that are predicted to change the industry.
So I wonder if Kennedy will throw more money at Mandalorian now. Because re the ATV interview the only thing Chow would say about Obi-wan series is that "it's in development" which to me isn't very promising. That's not saying "preproduction". Can't say I'd like any other series more than Mando, but it'd be nice to have some more stuff to watch on D+.
The Mandalorian has been a flagship series for D+ so it's more likely the budget will increase. They were also talking about how much they save by using 'The Volume'. Whereas a regularly filmed series might have to be cut down for budget, or scenes left less than perfect due to time and location costs, the crew can go back into 'The Volume' and reset things as they were. Still must be quite a bit of work setting up the physical studio terrain, but that would be offset by not having to take everything back to the location and wait for the correct conditions to match.
Feels like almost anything is possible now, and in a more naturalistic way than the traditional CGI process.
...?I am confident. The difference is, with Extraction, I?m in the editing room so I can be extremely confident [the action] is going to be what it?s going to be. I?m not editing these episodes. [?] But I know the footage we delivered, as a second-unit, they seemed to be happy with. We worked closely with the stunt team there, with Bryan Watson and the team that had done the first season; they did a really great job. You know, it was just to bring a little extra perspective, add a few things, things I?ve learned while working on superhero movies, little tricks which make the performances easier and using visual effects to enhance certain things. Just bringing a little bit of experience and knowledge to where we could take it to another level and up the ante. The next season is really, really cool. The way the story arcs is really cool. So we tried to have the action represent that and take it to the next level. I think we did that.?
?With that being said, the balance you have to find and the truth you have to adhere to is the character you?ve developed. So, if you have a character and for this guy ? who?s more of a gunslinger, a bit more of a brawler ? it would be out of character for him to come into a scene and throw out a round-off, backwards double flip and do a crazy kick just because you can, or because he has a helmet on. You have to remember to stay true to the character. So yes, you can put whoever you want in there, but you have to make sure that you reign in the excitement and make sure you?re true to the character and the story.?
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