In the scene The Comedian, a.k.a. Edward Blake, is approached by a pregnant Vietnamese woman. She enters the bar and says, "Now war is over, Mr. Eddie. Now I must talk with you." Blake is far from interested in dealing with a pregnancy as this woman was obviously just a late night distraction he never expected to deal with again.
He dismisses her saying, "We got nothin' to talk about. I'm leavin'!" The woman tells him how she cannot walk away from the pregnancy, she can't forget it to which Blake says, "Well that's unfortunate because that's just what I'm gonna do..."
The woman becomes irate, smashes a bottle and slashes at Blake's face cutting a deep gash (pictured above to the right), scarring him for the rest of his life. Standing to the side is Dr. Manhattan, observing the situation as he has become accustomed to doing when it comes to any form of human behavior. Severely bleeding Blake grabs his gun and points it at the pregnant woman as tears stream down her face.
"Blake don't..." is all Manhattan can get out before the gun goes off, "...do it," he finishes his thought as she lay dead on the floor bleeding from a gunshot wound to the chest.Graphic, I know, but imperative to the story. Dr. Manhattan says to Blake, "Blake, she was pregnant. You gunned her down." This is something you don't expect from Manhattan as he has grown to think little of humans, as they have become more of a distraction to him as a result of his massive intellect. His concern is actually more unexpected than The Comedian shooting the woman.
Blake tends his wounds and acknowledges killing the woman but lets Manhattan know he could have very easily stopped him. Manhattan is virtually the only real superhero in the story with actual superpowers. He can transport people and change the molecules of any physical object. "You coulda changed the gun into steam," says Blake. It's a defining moment for both characters and vital it occurs just the same way. The graphic nature of the scene is what makes it so powerful and Morgan does not deny its importance.
"Yeah, yeah, we're staying very true to this whole thing and yeah, that's there," he said. "It had to be. It's a big time defining moment for my character. It had to be there. It's the history of the scar, the whole deal. You can't take that away man."
Sure, it may be easy to talk about now that it is over, but when I asked him how he prepared for such a scene his words alone tell you it wasn't easy. "I don't know how I prepared for that. I wasn't prepared for it. As much homework as I had done and as many times as I read this book, I don't think I was prepared to put a gun to a pregnant woman's head and blow her head off."
Anyone concerned any one of the actors playing the lead roles in this film didn't do their homework can forget about that worry. Morgan isn't the only one that dug deep to find meaning for their character as I will tell you more about next week, but let Morgan tell you a little more about his approach to The Comedian and what made the character so fascinating for him.
"The arcs The Comedian goes through are substantial to where his very being is questioned and he questions himself," he said. "At first glance you think you are playing this bastard, just a mean son-of-a-^^^^^ but the more I looked at the layers to this guy… How do you read a book about a guy that does the things he does and yet you sympathize with him? How the hell does that happen? I found that fascinating."
